NATPE Budapest is the go-to global business forum for content producers, buyers and distributors across all platforms.
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NATPE Budapest
A Development Support grant can be used for the further development of a script (e.g. research, writing, translation or hiring a coach or script consultant), but can also be used to present a project to financiers or other potential partners at (international) co-production meetings or film festivals.
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Rotterdam - Soporte de desarrollo
WIP:LAB is a training and analysis space for emerging filmmakers of Ibero-American non-fiction cinema. The objective of this program is to support the completion of feature-length documentaries through narrative resources. Those responsible for the selected projects will receive advice from prominent national and international professionals. They will also have the possibility of accessing a series of incentives and prizes designed to support the completion and distribution of their work.
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Link - WIP:LAB
DOC:LAB is the documentary project development laboratory of #LINK, the Industry area of FIBDA. Aimed at future Ibero-American feature-length documentary films, DOC:LAB seeks to consolidate the different stages in the process of a film – script writing, financing strategies, production and distribution – through specialized consultancy with internationally relevant professionals.
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Link - DOC:LAB
"Only Central America and the Caribbean"
The Central American and Caribbean Project Development Workshop emerged with the desire to provide those who participate with the necessary tools to make their projects powerful and moving, as well as to strengthen the work dynamics between the heads that accompany the creative processes. since its inception: filmmakers, scriptwriters and producers. The Workshop, which is free, has the role of creating synergies, alliances, complicities, between participants and tutors and in this way strengthen the audiovisual space in Central America and the Caribbean, at the same time forming relays and creating community.
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VI WORKSHOP ON FILM PROJECTS OF CENTRAL AMERICA AND CARIBBEAN
