New NAMES, new GENRES, new CINEMA LANGUAGES on a big screen in the middle of Siberia!
International Kansk Video Festival (Russia/Siberia) is not a conventional film festival. It is an experiment in time and space. The small Siberian city of Kansk, was found on the Internet by chance and selected as its name correlates with the Cannes Film Festival, Kansk in the Russian language is pronounced the same as Cannes.
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Since 2002 the festival has taken place annually in the depths of Siberia. Far away from the Côte d`Azur in the severe Taiga climate, 7000 km from London, 4500 km from Moscow and 300 km from Krasnoyarsk by the Trans-Siberian Railway formerly used to transport shackled contvicts. In this area, full of wonderful and brave Siberian people, pelmeni and cedar nuts, even buses seem reminiscent of the old school buses from a long lost Soviet place full of magic.
The Kansk Video festival has grown immeasurably from it’s 2002 beginnings. Each year it hosts an international jury from the industry and artistic communities, running international film and video-art competitions with a special screenings program and a bank of ideas big enough for the next 150 years. The festival promotes new names, new genres and new cinema trends of the independent and uncompromising video and filmmaking industry.
Films produced in Latin America, or Latin American or foreign authors whose subject is Latin America may participate in the Festival.
Festival dedicated to the Short Film Competition, Fiction and Animation.
Possibility of hosting the directors and Actors of the Films
InShadow is a reference in the field of contemporary artistic creation and curatorship, placing an emphasis on the convergence of body and image.
Our yearly program includes international competitions of screendance, dance-related documentary films and animations, in addition to performances, workshops, masterclasses, exhibitions and installations.
Ascona Film Festival started on the social networks and after 5 years received more than 12000 submissions form 95 countries.
The Ascona Film Festival success is due to the concept of a nice VIP film festival in the legendary Ascona Venue at the Hotel Ascona.
Admission to the projection is on invitation only to selected VIP international personalities.
Day Of Film Festival is a dynamic and fast growing film event that shows the best out of film in one day, in every aspect. Several aspects of film will be at the centre of attention for a complete day. Not only from the crowd, but also professionals. Workshops, lectures, panel-discussions and the viewing of a great selection of films are combined in an event that has captured hundreds of peoples attention every year. Your film is their finishing touch! And even better: it can be awarded!
2018
The 2018 edition will take place in Lumière Cinema Maastricht on May 19th.
Euregion Shorts Film Festival offers you a three-days festival experience with the best films from all over the world (maximum duration: 20 minutes, every genre), an award show, workshops, seminars and more.
For the traveling program, every two months an event will be organized in a different city in the Euregion in which the best and most remarkable films from the Meuse-Rhine Euregion will be screened. Each event, an experienced professional will be invited to share his or her knowledge.
Every January, a closing festival program will be presented. This program contains selections of films from all over the world, workshops, seminars, meeting corners, an award show and more. If your film is selected, you are automatically in the running for several prizes during the festival.
Euregion Shorts aims to connect professionals, filmmakers and the public in an international context in the unique Crossborder region of the Netherlands: the part of Limburg.
The Creators for Identity and Memory Association (ACIM) organizes the V Festival of Short Films for Identity, and calls authors to participate with their works. The Festival will take place in Barcelona the 30th of November and the 1st and 2nd of December. It will bring together short films dealing with identity robbery, its recognition and recovery, and the personal and social consequences. ACIM promotes activities that denounce the robbery of identity, mainly when it affects children and It is closely related with the Grandmothers of the Plaza de Mayo Association. Children abduction and forged identity were a systematic policy during both the last Argentine military dictatorship, Spanish Franco’s regime and other “the facto” governments. ACIM considers that stolen identities should be restablished as this is an inherent human right.
The CFF is a festival dedicated to audiovisual theme environmental and natural. Aims to collect the most interesting images and reward the efforts and talent of the young, but not only, that invest their energy in telling the green that still surrounds us. The Festival through the art of film aims to focus attention on what is happening in our world, with particular reference to all that is now environment.
Place of complaint and reflection: the cinema on the environment as a medium of international communication, comparison as well as container criticism, development and promotion.
Never before, in particular in our region comes an obligation to advertise, support, advertise "material" that can move us to reflection, that can make us stop and think about everything that surrounds us. Environment stolen, but also regained. As a physical space but also spiritual.
The films must draw an unusual path that begins "from the works of the complaint and the testimony of brave men and women involved in the defense of their territories, to get to the proposal of new models of sustainable living or hypothesis of dire future scenarios" .
Festival films will follow two main criteria: great attention to the works of 'our home' and fictional stories, trying to put together the reality cinema, the documentary, which so far has been the 'official spokesperson' of environmental concerns. The Festival is held in Caselle in Pittari in Province of Salerno, enchanting landscape setting, historic, cultural and natural in the heart of the National Park of Cilento and Vallo di Diano on Bussento river.
Major players in the national cinema will participate in the event, meet the young protagonists actively debating with them giving valuable advice. Participation in the survey, the entrance to the screenings of films and events scheduled are free until all the seats available.
KFF was launched in 2013, as International Short Film Festival. From the very beginning, the essential part of our mission was to bring the audience closer to different kind of films and to provoke interest in film art, and furthermore in understanding its impacts in everyday life.
Festival is held annually during September in the city of Kraljevo (meaning "the King's Town"), where seven Serbian kings are said to have been crowned. Because of our historical heritage, we decided to name our festival “Kraljevski filmski festival”.
KFF is offering a filmmaker-friendly environment with a casual vibe, which is the reason why during the last 6 years we have had filmmakers flying in from the Netherlands, Sweden, Germany, Brazil, Hong Kong, Finland, France, Switzerland, Russia, Montenegro, Croatia, Macedonia, Bulgaria…
In 2019, Kraljevski filmski festival had significant changes both on programming and management level by evolving to Post-production Film Festival. Our main goal besides showing great Short films will be to promote the art and craft of Post-production as well as the creative people from behind the camera. To achieve this, the KFF will invite postproduction artists from across the globe for masterclasses or workshops, and organize filmmakers meetings at KFF.
£2,500 in CASH PRIZES for the EMERGING TALENT from our sponsor Katie Partridge, CEO of the Saphira Group, to support a new generation of filmmakers/artists.
NEW RENAISSANCE LONDON #8
Apart from a high number of UK and International films, NRFF London has a category for EMERGING TALENT (debut or early stage filmmakers embarking on their careers in the film industry).
Previous winners and nominees have gone onto win major international prizes or have directed their first feature film.
ABOUT NEW RENAISSANCE LONDON
Our friendly and welcoming art-house festival based in London is genuinely passionate about promoting the highest calibre of independent cinema around today. New Renaissance has been described as “One of the UK’s top film festivals,” alongside Raindance and Aesthetica (London METRO, O1.08.16), appeared in reputable publications such as Vogue, GQ and iD magazine, and we are a registered IMDB film festival.
Filmmakers are a discerning audience and the 100+ five star reviews from filmmakers around the world is proof of our commitment and respect for the hard work and care that goes into making a film. Since 2021, we have been awarding cash prizes to support talented up-and-coming filmmakers we believe in thanks to a generous sponsor (see below).
SUCCESS STORIES
We have premiered and screened films that went on to win an Oscar (The Silent Child, 2017) or later received a major distribution deal (A Bird Flew, 2022; Avi, 2022; Roy, 2022; A Living Dog, 2021; Into The Mirror, 2019; You Go To My Head, 2019; and Phantompain, 2018) to name just a few.
Despite the festival's relatively small size, there are each year many gems to be found among the many short and feature films in the programme. Furthermore, many filmmakers and actors are traditionally present - and a lot of productive networking takes place.
OUR CURATION: ARTISTICALLY-DRIVEN FILMS, INSPIRING STORIES
Film is a unique medium, and NRFF’s mission is to support and champion inspiring, independent artists and storytellers. This includes experimental work, emotional drama, music, dance, and emerging talent (see below).
Our festival is built around ARTISTS and their STORIES. By doing so, we aim to establish an international COMMUNITY of inspiring storytellers. We are not interested in following current fashions or being politically divisive. We seek out stories that are genuinely imaginative, emotional and life-affirming. At the heart of what we do is our passion to tell great stories.
Curating a festival is never easy but we strive to put together a great programme each year in an environment that is warm, inclusive and truly dignified. You can visit last year's programme online at ww.nrff.co.uk to get a feel for the quality of curation we are known for.
NEW RENAISSANCE LONDON 2025
2025 will be our tenth year in London, a city known for its diversity and innovation in the creative arts. For 3 days in September, we will screen around 100 outstanding films in the heart of London. The programme will include narrative shorts, features, documentaries, animations, dance and music videos, a NETWORKING party and AWARDS CEREMONY.
Running alongside the festival will be a SCREENWRITING COMPETITION, a series of MASTERCLASSES by film industry experts, a filmmaker's PANEL DISCUSSION, Filmmaker Q&A's, and other networking opportunities.
EMERGING TALENT AWARDS
Apart from a high number of UK and International films, NRFF London has a category for EMERGING TALENT (debut or early stage filmmakers embarking on their careers in the film industry). Those selected can win CASH PRIZES. We found a sponsor for this in 2021 and are happy to announce that they continue supporting these cash prizes for emerging talent in 2025.
Please read our Rules & Terms before making your submission.
Key Dates:
Submissions for 2024 will be open. The festival will take place in October 2024, and all contestants will be notified at least 4-6 weeks prior to the event.
SUPPORTING THE INDEPENDENT FILM COMMUNITY
It is our passion to not only provide a stage for our filmmakers but also to strengthen the INDEPENDENT film community, by building an engaged audience through social media - especially Instagram and Facebook. We actively encourage directors, screenwriters, producers and actors to network during the festival and after the event. By doing so, new artistic collaborations have occurred.
NEW RENAISSANCE ALUMNI
Former New Renaissance attendees and or winners include: Oscar winning couple Chris Overton and Rachel Shenton (The Silent Child); Oscar winning actress Whoopi Goldberg (Palace); BAFTA and Emmy winning actress Anna Friel (The Sea); Great Expectations and Top Boy director Brady Hood (Sweet Maddie Stone); Oscar winning writer/director James Lucas (Paint The Dragon's Eyes); BAFTA winning actress Sophia Myles (All That Glitters); BAFTA winning actor George MacKay (Infinite); Ivor Novello winning musician Gary Kemp (InSolo); BAFTA winning and double Emmy nominated documentary director Zoe Dobson (The Cunning Man); BAFTA winning animator Catriona Black (You Are At The Bottom Of My Mind); Emmy winning actress Tatiana Mislany (Souls of Totality); Oscar nominated cinematographer Jarin Blaschke (A Million Eyes); BAFTA nominated director Shona Auerbach (Rudy); Actor Tom Cullen (Souls of Totality); BAFTA nominated actress Celine Buckens (Prangover); Silent Witness actress Emilia Fox (The Ghost); Chicago actor Darren Day (Rudy); Rag Doll actor Ali Cook (The Cunning Man); Olivier Award nominated actress Amy Lennox (Near); student Oscar winner Tristan Holmes (The Fragile King); and student Oscar winner Ariel Heller (Mammoth).
UGUFF was initiated as one of the Sollywood Films Pty Ltd’s social responsibility programmes in 2013 under the direction of Senzo Zindela.
The event screened 2 films on its first year, 4 films on its second year accompanied by 3 workshops (script writing, acting & editing) which were conducted by local industry experts, & had around 400 audience in 2014.
It also had an international workshop (action & stunt coordinating) held by Hollywood veteran/Hall of Fame, Steve Lambert known for Indiana Jones, Robocop, Rambo etc.
On its 3rd year, it received 60 international films, screened 23 altogether including local films, had around 5 international guests who came on their own expenses, & had around 1000 audience.
We are proud to be the first festival that managed to identify and award the best international films that continues to receive awards after our event. The following films were chosen and won best awards in our 2015 festival and never stopped from there:
Candela: Spanish Film awarded around the world: South Africa, India, Romania and USA. Nominated in Spain, Singapore, Canada, India, UK, Los Angeles and China.
Palm To The Sun: Japanese Film awarded around the world: South Africa, Spain and nominated in more.
Our Goals are as follows:
-To recruit and expose talented individuals.
-To provide information about the film industry.
-To create sustainable employment.
-To change perspectives, motivate, uplift & give hope to disadvantaged communities.
-To heal mental crippled youth who are victims of previous massacres like Shobashobane.
-To upgrade local film industry by bringing international experts to share their knowledge & experience each year.
ORGANIZERS
Senzo Zindela (Filmmaker)
Live Entertainment, LLC, Russia in co-operation with EVENT FILM, Canada proudly present an annual festival event – International Horror, Action and Fantastic Film Festival & Awards "DROP".
The festival is being annually held in the city of Moscow since the year 2011 and contains 4 events:
- opening screening
- closing awards ceremony
- master-class and Q&A with movie stars
- film festival competition program screenings in cinema theatres
The Awards ceremony takes place in a big concert venue (changing every year) and consists of the show program and the ceremony of granting awards which is divided into the following jury voting categories:
- awards granted to local film distribution companies for the blockbusters screened in cinema theatres of Russia in the reported year;
- awards granted to young directors and producers as competition program. The category is called “Hope for Survival”;
- awards granted to World stars for the contribution to horror genre
The Awards ceremony is always visited and recorded by a large number of mass media.
The Master-class is a so-called Q&A horror convention held in a cinema theatre in a form of a question-answer session between the star guests of the festival and the audience + autograph session. The event usually ends with a premier film screening.
The festival program is a week non-stop screening of new movies in several Moscow cinema theatres. The films-participants of the competition program are being selected by the festival’s jury. Submissions are being analysed and accepted by the festival's organization committee during the whole year.
The festival's schedule usually also contains a pre-party and an after-party arranged for the honored guests and winners.
The TV version of the festival is televised by Tricolor TV platform.
The festival specializes in all sub-genres of horror and action film industry, i.e.: cartoon horror, comedy horror, psychological thriller, trash horror, zombie horror, giallo, slasher, suspense, detective, action, fantasy, sci-fi etc. Starting from the year 2013 the festival also specializes in survival horror video games sphere.
The festival is annually visited in person by World-known honored guests. The previous years’ guests were: Eric Roberts, Stuart Gordon and Bryan Yuzna, Jodelle Ferland, Costas Mandyllor & Tobin Bell, Lloyd Kaufman, Akira Yamaoka, Marco Ristori and Luca Boni, Preity Uupala, Yeppe Laursen, Silje Reinaamo, Daniel Licht, A.J. Annila, Leonid Kuravlev, Igor Zhizhikin, Oliver Robins, Corbin Bernsen, Lauren Esposito, John Kassir, James Russell, Mick Garris, Shawn Hall, Liesl Ahlers, Kyle Catlett, Lina Leandersson, Richard Cutting, Helen Crevel, Javier Botet, SWERY, Adnan Koc, Naomi Grossman & Ben Wolf, Sergio Stivaletti
...and many others
A great number of star winners also annually send their exclusive video messages which are being screened during the ceremony.
A more detailed information about the festival can be found on the English version of our web site, on Wikipedia and in social media.
The Cineminha Project includes free samples of short films aimed at children from public schools (05-12 years), teachers, families and the community in general.
The free shows aims to approach the film and animation in a playful way through the show short films. In addition to shows, the project also does animation workshops and production of audiovisual content, thus arousing children's creativity and interest in audiovisual and other forms of artistic expression.
In recent decades, and at one time to the emergence of new technologies that have ended up scanning most of the processes of the film, the documentary has known a notorious and systematic growth around the world. In our country, and for more than one decade, a production before linked almost exclusively to fiction has been swelling their ranks with new topics, new approaches, new geographies, new dilemmas.
It is in this context that FIDBA is proposed as the 1st. International Film Festival dedicated to this genre which films with the same fans - as long as we believe that the forms and the doings of the documentary film are different from those of the fiction - may meet and dialogue among them and with the public. If the documentary is a meeting point for the FIDBA, it is insofar as it proposes an interpellation to the little-known memoirs, disturbing present and (our) future in suspension. FIDBA will then be an approach not only among audiences, filmmakers and thinkers linked documentary but also in relation to the always stimulating possibilities that allow you to open this space to other border and heterodox expressions framed inside of what we would call "non-fiction" and that encourage us to dialogue with contemporary expressions that go beyond even the scope of the film.
FIDBA will pay special attention to those filmmakers for whom cinema is linked to a form of research and knowledge of the world that surrounds us as to the portrait of human beings whose conditions of life, in certain historical and social contexts, allow you to ask us about our. It is, therefore, authors who not only reflect reality but also ethical and moral relationship which involves filming the other.
FIDBA aims to become a point of support for filmmakers seeking to widen the perception of reality and to films which represent a step forward in the effort to understand it and anticipate it. So, it will make focus on films whose aesthetic originality put at risk not only an idea of the documentary but also a thought about the same film and its possibilities. Since this focus implies questioning the status of the real front of the camera or of the film in relation to reality, this is as inseparable from the mediations that arises.
