The International Festival of Children and Youth Film CALIBELULA, FICIJCALIBELULA - is created through a group of friends who love cinema, who see the need to generate new exhibition and training spaces, for a very special audience that is children and young people .
The purpose is to train audiences through cinematographic audiovisual material made by and for children, youth and adults that promotes conflict resolution and peaceful coexistence through the construction of values and principles.
Generate new exhibition alternatives that consolidate processes of formation and creation expressed in the production and audiovisual realization, with understanding and critical sensitivity, trying with this to involve from an early age this target population through the cinema as an artistic expression.
This Festival is a meeting place for the filmmakers, their works and the children's audience as well as a point of formation for young audiences, teachers and professionals of the area, making the Festival a promoter of reflection on the audiovisual media and the role they play with our children.
Brought to you by MANHATTAN SHORT (The world's first and only Global film Festival), a 10-day festival where 8 unique short films will be chosen and screened virtually from Feb 14 - Feb 25, at ManhattanShortOnline.com.
With so many marvelous short films being produced each year, the quest for the perfect vehicle in which to launch it...is never-ending. With a legacy of 24 years; growing from the side of a truck to now screening annually in 500+ cinemas across 6 continents, MANHATTAN SHORT is the perfect organization for these filmmakers.
Now your great ideas have the right launching pad to catapult your work into the stratosphere! So, join with us and create magic!
The Event will be marketed through the MANHATTAN SHORT Channels, and each selected filmmaker will receive $350.00.
Film Junction Film Festival is on a lookout for emerging and diverse talent with a creative eye and a powerful story. We are focused at promoting new creatives, especially film students and entrants in the industry. We have opened submissions for short films and welcome entries from around the globe and all genres.
All films will be judged by our panel of curators. Each curator will rate the film on a pre-discussed criteria. Every film will be seen by at least 3 curators and total results will be tallied. Highest ranking films will be selected and showcased at our festival. Further, certain films will also get a chance to be featured on our upcoming streaming platform.
All selected films will receive laurels and certificates. Films ranked the highest in each category will be awarded.
Main Deadline : 14th May, 2022
Fantasy Filmfest is one of the largest film-events in Germany swell as a renowned platform for genre titles and very much supported by the local film industry. Fantasy Filmfest is based on a traveling concept touring 7 major German cities September each year.
Our program’s focus is on a hand-picked and high quality selection of about 40 features and 10 short films. The continuously increasing number of visitors confirms the festival’s reputation as one of the biggest genre events worldwide.
Fantasy Filmfest is well-respected among distributors for being a link between them and producers as well as sales companies. German buyers and distribution companies consider the festival an extraordinary market and a promotional opportunity, often attending each festival city to get an up close impression of the audience’s reaction. It is therefore considered an important nationwide event and a testing ground for audience reception. It is not uncommon for films to get picked up by German distributors after inclusion in the festival’s program.
For more information, please click here or visit our homepage: www.fantasyfilmfest.com
EDITA is a festival of short films for social transformation that aims, through audiovisual creation, to increase critical capacity, involve citizens in the promotion of rights and make viewers feel called and challenged to action for social change.
With this event, ASAD wants to get to know and disseminate new social imaginaries, look from other perspectives and approach non-hegemonic proposals that are committed to gender equality, cultural diversity and climate action.
This event is committed to cultural promotion and the diversity of artistic expressions while raising awareness and mobilisation on social issues and the 2030 Agenda in the communities. It is constituted as an itinerant edition seeking social participation in rural areas.
The contest “EDITA 2024” is included in the proyect #RuralizArte por los ODS: Fortaleciendo el compromiso del mundo rural con la Agenda 2023 a través de procesos culturales participativos of Asociación Solidaria Andaluza de Desarrollo (ASAD) funded by la Diputación de Granada
We seek to democratize cinematic creation. You just have to have a smartphone, want to learn, create and share your stories.
We invite you to be part of the first version of CineSmart - Film Festival with Cell Phones that will be held from June 06 to 09, 2022 in Arequipa, Peru.
Created and presented by Anaqueronte Cultural Association.
The Secretary of Culture and Education of the Municipality of Rosario, through Punto Audiovisual, announces the call to participate in the 29th edition of the Rosario Latin American Film Festival, which will take place from October 2 to 6, 2024, in the city of Rosario, Argentina.
The Festival has four (4) competitive categories:
Latin American Feature Film Competition
Santa Fe Feature Film Competition
Latin American Short Film Competition
Rosarinos Short Film Competition
Several cities around the world were redesigned at the beginning of the last century to host the automobile revolution. Many streets were reinvented to make room for motor vehicles, and the space for pedestrians in public space was rethought. As cars took over the city, the Lumière brothers experimented with the first film cameras and left us the first documentary on cycling races, depicting the Lyon – Geneva race of 1896.
The arrival of motor vehicles meant the reduction of distances, allowed the relocation of industries to the urban periphery and once again reorganized the urban map. Distances increased considerably and workers, attracted by better opportunities, populated popular neighborhoods outside the urban center. Public transport grew at this time in response to the need to move workers; however, the bicycle continued to be the queen of mobility, especially between wars. Losing a bicycle was a great drama, as we can see in Vittorio de Sica’s premiere, “Ladri di biciclette” (1948).
The periphery, the banlieue, the suburbs… are today often heirs of a manufacturing urban past, full of illusions and dreams of innovation. They are home to many migratory processes and the birthplace of new forms of urban culture. However, they are often poorly connected to the urban centre, making them separate islands from the city. Islands full of young creators who see audiovisuals as an excellent way to communicate, a medium for self-expression, and a great opportunity to overcome physical boundaries. The bicycle shortens distances and makes us physically experience the city with each pedal stroke. It is a tool to recover the city, think about the urban, and redesign the territory.
If the motor vehicle redesigned the 20th-century city, the bicycle redesigns the 21st-century city. Many cities have started to include or extend their network of bike paths, offer subsidies for the purchase of personal or cargo bikes, and more and more groups of amateur cyclists are emerging, thus creating more communities of interest. The bicycle plays an important role in active mobility, being an environmentally friendly means of transport and a way to maintain a healthy lifestyle. Still, as Barden would portray in 1955, relationships on the road aren’t always happy.
Cinema has portrayed these problems and many others related to mobility; stands out as an almost universal way of initiating dialogue about the urban, the territory, mobility and the way we live the city.
We invite the presentation of films that reflect on the following themes, or others in which the bicycle plays an important role in urban life in society:
– Shared bicycle practices
– Discover the city by bike
– The bicycle as a tool for working and experiencing the city
– Cycling communities
– Youth, territory and freedom on wheels
– Social justice, bicycles and the right to the city
– Environment and bicycles
– Daily bike commuting and community identities
– Minorities and bicycle
– Periphery and cycling
– Bike & sports
Underneath the Floorboards is based in London's buzzing artistic area of Hackney.
For our 10th Edition we will be continue our online event, which will be screened for a two weeks by our online platform: https://www.visualcontainer.tv/ which screens worldwide and got over ten thousand views last time around, and this time we're aiming for more.
Our showcase is open to artists and filmmakers from all around the world whose work has an experimental, non-linear narrative form. We want to see variety, whether it be experimental film, video art, visual art, digital art, experimental documentary or animation.
No bias, no prejudice, we don't care if you didn't study in the most prestigious art schools. We want to see unique work of an artistic nature, which creates its own language.
The Itinerant Cinema in Mi Barrio festival is consolidated as a vital platform for the dissemination of national short films in the department of Cauca, giving audiences from various subregions the opportunity to enjoy cinema on a giant screen. The 2024 call is open to short films that, due to their narrative proposal, stand out and have the potential to reach diverse audiences.
Cinematographic works may address free themes, with special attention to aspects such as the environment, human rights, creativity and youth, arts and cultures, thus reflecting the richness of Colombian biodiversity.
This year, the festival's itinerant route begins in the Cauca Pacific, with stops in Timbiquí and Guapi. The mobile room will then move to the south, to the lands of Patía, and later to the north in Santander de Quilichao, in the Valles del Cauca. You will also visit the east of Tierra Distancia, known for its hidden treasures.
The festival will have special programming during the central week in Popayán, Cauca, where additional activities will be developed, including workshops, talks and official exhibitions. This itinerant not only seeks to showcase short films, but also promote dialogue and cultural exchange, reaffirming the festival's commitment to promoting national cinema locally and internationally.
Insólito Fantastic Film Festival is the only consolidated event in genre cinema (horror, fantasy, science fiction, exploitation, trash and similar) in Peru and is in its seventh edition. Since its creation, the festival has sought to vindicate unconventional ways of making films, including national and international proposals in its exhibitions and competitions, disseminating the best films that have been made worldwide on this subject.
Visit us at https://insolitofestival.com/ https://www.facebook.com/InsolitoFest @insolitofest
The festival will take place the weeks of October 25 to 27 and from October 31 to November 3 in the city of Lima for free and in person.
This 2024, immerse yourself in the fascinating and terrifying world of cinema, where the paranormal comes to life.
Eneagrama es un Festival Internacional de Cine Experimental que propone una muestra con talleres y conversatorios en la ciudad de Córdoba capital.
Nos interesa pensar el arte experimental como un espacio de crítica en relación a la realidad circundante, como una creatividad en constante movimiento que genera nuevas formas de expresión.
Queremos acercar una propuesta no convencional, un espacio de exposición de cine experimental donde lxs receptores tengan una participación activa, proponiendo un juego en el espacio a través de experiencias sinestésicas e inmersivas.
Celaya Experimental Film Fest is a platform for creation and exhibition of experimental films. Works focused on technical, conceptual and narrative experimentation. The festival welcomes artists who have transgressed and transcended the barriers of aesthetics, technique, and the semiticity to break the dominant standards in the industry. We believe that experimental cinema is free, radical and purposeful and that at the same time it responds to the anthropological, social, artistic and philosophical need to explore horizons beyond the great hegemonic forms of cinematographic creation, and finding authentic ways of creating audiovisual art.
The festival opens its international submissions to all artists with original or personal proposals that go beyond conventional standards, exploring the limits of cinematographic language and searching for an essence or unitary mark within any work of their authorship.
Submissions for artists from Celaya and around Guanajuato can submit their films for free for all available categories.
Celaya Experimental Film Fest is an experimental film and contemporary art festival that seeks to promote the creation of new platforms and exhibitions of experimental and contemplative audiovisual language. It is also the space for expression and exhibition of sister arts such as performance, sound art and visual arts in a contemporary language and through the arts and cinematographic culture, all publicly and free of charge on the Mexican Bajío.
The third edition of CELAYA EXPERIMENTAL FILM FEST will take place in Celaya, Guanajuato, Mexico from Octuber 2nd to 7th, 2023, with the most outstanding selection and impressive audiovisual films within our festival, and with a specialized jury who will be in charge of awarding the films that accomplish its proposals to show experimental cinema as a discipline.
The MALDITO Videopoetry Festival is organising this competition with the aim of making visible two disciplines that, both together and separately, are much more distant and forgotten than we would like them to be. If experience tells us that both disciplines are minority and marginal in large European capitals, let alone the desert in which they find themselves in provincial capitals, where the circuit for their dissemination is practically nil.
We, as lovers of poetry, image and the expressive possibilities of their symbiosis, propose a line of action, encouraging the approach of the general public to the Festival and trying to make it grow from the first edition.
Our wish is that MALDITO reaches as many people as possible, with a growing presence and repercussion in the media and social networks.
MALDITO seeks to vindicate videopoetry as an art that connects people, that transmits feelings and promotes original or different ways of seeing the world, to try to be a grain of sand that makes any kind of visual or poetic art stop being marginal and cursed.(* The Spanish word for damned is MALDITO).
We expand sections by adding International Poetic Film Showcase.
The Associazione ColoriQuadri, in order to promote short films, as an occasion for entertainment and a means of communication and awareness on social issues, organizes the ninth edition of the "Muuh Film Festival". Although the review is essentially "free theme" it will be the responsibility of the Proponent Association, in line with its own statutory "mission", to collect and subsequently select works that express / promote content that respect the constitutional principles and rights
human.
The Patriki Film Festival will become Russia’s first competitive international online film festival. The chairman of the jury will be American film director, screenwriter, producer, and winner of the Venice Film Festival’s Golden Lion prize, Darren Aronofsky.
Ojo al Piojo! International Children's Film Festival is organized by the Rosario Audiovisual Center of the Ministry of Culture and Education of the Municipality of Rosario. The eleventh edition will be held from August 18 to 21, 2022 in the city of Rosario, Santa Fe, Argentina.
Ojo al Piojo! it is part of the public policies that the city of Rosario offers for children, protecting and guaranteeing the right to access cultural property, in accordance with the International Convention on the Rights of Children and Adolescents.
Promotes the exhibition of quality short and feature films understanding in this concept that cinematographic resources (script, photography, editing, performances) must be appropriate for children; the themes and interests are representative, the story and the narrative treatment is attractive and interpele as well as the language, appropriate to the age of the target audience. The works must contemplate a broad and integrative view of inclusion and cultural diversity.
The Festival has three (3) competitions:
- Competition of short films made by girls, boys and young people
- Competition of short films made by adults and adults
- Feature Film Competition
The Santiago International Documentary Film Festival (FIDOCS) is the main broadcasting, diffusion, and competition event for documentary cinema in Chile and Latin America.
Focused on the promotion of dialogue and reflection, as well as in training audiences towards the appreciation of documentary film in a context of permanent transformation, FIDOCS seeks to explore the multiple paths available in documentary making as well as in the drifts proper to nonfiction works. In its program, FIDOCS incorporates the works of both experienced and emerging directors in order to address the question of “THE REAL”, and in doing so, it considers the various dimensions, disciplinary frontiers, and tensions that the question “what is real?”, as well as the documentary genre itself, has to offer us.
Throughout its history, FIDOCS has positioned itself as one of the most distinguished documentary film festivals in Latin America, standing as a privileged platform to screen contemporary cinema and to promote critical thinking. Year by year, under its selective curatorial approach, FIDOCS not only calls for important exponents of national and international audiovisual sectors to exhibit their work in Santiago, but also, in using this city as a film hub, it calls on such exponents to question, interpret, and re-write the status of contemporary documentary film practice today.
For the promotion, positioning, and exhibition of Chilean and International films, FIDOCS displays three main competitions. These sections include: INTERNATIONAL COMPETITION; CHILEAN COMPETITION, and EMERGENT SHORT COMPETITION FOR NATIONAL FILMS.
In addition, FIDOCS has the main industry activity, DOCS IN PROGRESS, for Latin-American works in progress where the jury (editors, directors, sound designers, producers, programmers), in addition to choosing a winner, feeds the filmmakers to carry out the post-production of their films and encourage their diffusion and transmission. This section is jointly run together with WIP section of CHILEDOC CONECTA.
The festival also has important training and extension activities in its FIDOCS SCHOOL, where students from film schools and communications from all over Chile so that its most outstanding students are in an intergenerational and interdisciplinary space with international and national festival guests; attending Master Classes, workshops, dialogues, among others.
In addition, in keeping with its interdisciplinary vocation, FIDOCS intends to accompany its screenings of other artistic interventions such as installations, exhibitions, performances, that from their own expressive means dialogue with the documentary concept. This is how FIDOCS EXPANDED section arises, where various artists, video-artists and filmmakers, all of them linked to the fields of sound or visuals, exhibit their work.
Finally, the chosen films will be screened after the completion of the festival, in different regions of Chile and abroad, at BEST OF FIDOCS section. The purpose is the cultural extension of the festival at a territorial level, putting emphasis on the circulation of the films at the regional level, being able to program replicas in the national territory as well as abroad.
*FIDOCS will be held with theatrical screenings.
