The Pacific Meridian is the annual International Film Festival of Asian Pacific countries, established in 2003. The festival is held annually in early autumn in Vladivostok, on the shores of the Sea of Japan.
The festival in Vladivostok
Vladivostok has a very unusual history: in the tsarist times it was an open port and the city-fortress, in the Soviet times it had the status of the military base and closed city, and today it is on the way to becoming a free port again.
Vladivostok is the city that is sure to become a hub, connecting Europe and Asia, a place where every year the international cinematic community meets to share its best films.
The Pacific Meridian is a significant cultural event in the Far East, a great excuse to explore the Pacific Russia. Cinema is the most powerful and accessible art form, through which the festival introduces the audiences to contemporary culture.
The festival supports the positive development of relations of local, national and Asian filmmakers. The festival always presents only the best and unique films. The Pacific Meridian venues are where new projects emerge, filmmaking professionals meet the audiences, and young directors and actors find recognition.
For 18 years of its work the film festival has shown about 2,500 movies, seen by more than a million spectators. Every year the festival brings together film professionals (actors, directors, producers and film critics) from around the world, attracting audiences from other Russian regions and enables young people to gain practical experience by participating in organizing the festival.
Throughout each year, the festival team works on organizing this international cultural event, and the preparation is carried out from the end of the current festival, and till the beginning of the next. By the time of the festival opening more than 100 people, including volunteers, participate in the work of different venues of the film forum.
The Pacific Meridian Mission
We provide access to the most powerful films of our time and develop the culture of shared viewing, making the audience connected with the development of the art of cinema of the Pacific Rim countries. With the help of the art of cinema, we are transforming the world around us, making the local community more informed and involved in the film festival movement.
In accordance with this mission the objectives of the festival team are the following:
1. To maintain the organization of the festival at the highest level, meeting the world standards in accordance with the recommendations of the FIAPF;
2. To promote the audiences’ understanding of the world culture through selecting and presenting the best examples of the art of cinema;
3. To ensure accessibility to the audience films and educational programs, involvement and informational awareness of the regional community;
The Pacific Meridian is the only Russian film festival, which focuses on the cinema of the APR countries. Actively participating in the development of cultural exchange, the festival brings together more than 60 countries in Southeast Asia, North and South America and the Pacific Rim. Every year the film festival opens and shows the audiences modern films.
The Pacific Meridian IFF remains open, accessible and friendly for a wide and diverse audience. The slogan of the festival is “Films for all, films for every one”.
The Festival’s Juries
Since 2003, the international jury of the festival consists of the best representatives of the professional community of Russian and international filmmakers. The international jury determines the winners and awards prizes in the following nominations: Best Feature, Best Short Film, Best Director, Best Actor, Best Actress, and The Special Jury Award.
Since 2011, the Pacific Meridian IFF features NETPAC (Association for Promotion of Asian Cinema) Jury. NETPAC is an international organization that brings together 30 member countries, established with the support of UNESCO in 1990. This Pan Asian cinema and cultural organization brings together film critics, filmmakers, organizers and curators of film festivals, film distributors and teachers. NETPAC is considered a leading authority on Asian cinema; it participates in selecting films for Asian cinema programs of several international film festivals, introduces filmmakers from Asia to the world audience, publishes books, and organizes seminars and conferences. It has also established a special NETPAC Award, Best Asian Film, which is given at 44 film festivals around the world.
Since 2013, the festival features the international FIPRESCI Jury. FIPRESCI, the International Federation of Film Critics, established 90 years ago, brings together film critics and film experts around the globe. The main goal of the organization is to support cinema as an art and as a bright and independent way of expressing vision of the world. The award of this organization is of great importance in the cinematic world.
The Festival’s Program
During each festival about 200 films are screened in its venues. Films of all genres, length and formats find their place in its various programs.
COMPETITION program includes 8 full-length and 8 short films produced in the Asia-Pacific region this year. Each year, the number of incoming applications is increasing, but only 20 films are selected for the competition.
Non- competition programs present new world and Russian cinema. PANORAMA program is devoted to the most prominent film events in Russia and abroad. IN FOCUS program presents masterpieces from one of the countries of the Asia-Pacific region, or of one genre. Over the years the festival has acquainted its audience with the films from Australia, Laos, North Korea, Russia, China and South Korea, with spy thrillers and horror films. Great attention is paid to retrospectives of prominent filmmakers.
The festival also embraces different cultural and business events: round tables, discussions on specific films, lectures, workshops, art exhibitions, Cinetour and meet-the audience sessions.
Introduction
The International Zinema School Fest 2021 will be held on 22-25 November in the city of Bilbao organised by the cultural association Begira Elkartea.
In addition to contributing to the dissemination of the most up-to-date audiovisual creation, for five days the festival will become a reference and a framework for reflection for new trends in the international film scene, weaving a network of collaboration and encouraging the exchange of ideas, experiences and knowledge.
LAKE VIEW INTERNATIONAL FILM FESTIVAL is an independent film festival. Lake View Film Festival is open to all Organization /Agency /Independent /Producer/Directors. Aiming to inspire, motivate and award the truly innovative and artistic geniuses of our time. Every independent artist hopes to one day emerge from the underground scene and share their talents with the masses. Hopefully, the showcase platform we provide will help facilitate that dream. We’re excited to display a wide range of works from all genres that will have industry pros, filmmakers and filmgoers buzzing.
Our Judges will award the best films of each category. Every selected film will be given the distinction of an Official selection of the event in which Judges will award the best films of each category. All official Selected films will be screened in the event. The event will be placed in Ludhiana.
All Official Selections, Nominees, and Winners will be announced on our website and via social media.
O OUFF en Curto busca estimular o formato da curtametraxe no ámbito da Comunidade Autónoma galega como expresión básica da creación audiovisual. É a sección de curtametraxes do Festival de Cine Internacional de Ourense.
The Elche International Independent Film Festival, organized by Mediterraneo Foundation's main objective is to offer a cultural space to filmmakers and moviegoers.
In a constant commitment to the promotion of culture and supporting emerging values of cinema, focusing on innovation, public conversation with the authors and the elimination of technological compete when barriers and vote.
The International Outdoor Documentary Film Festival of China（OUTDOCS）adhered to its goal of recording and paying respect to magnificent natural landscape and indomitable spirit of human beings. With films as the carrier, OUTDOCS promotes a positive lifestyle for the public and inspires the creativity of life; with films as power, it shares and develops China's development of sportsmanship, adventure and exploration, outdoor culture and sports. To award excellent outdoor films and its artistic and cultural contributions, create a humanistic value highland for documentary films on outdoor adventures, sports, travel and humanities, environmental protection, as well as wildlife conservation. OUTDOCS Award Competition and Screening session start. We are calling for entries around the world.
Cachaça Filmes has held the festival since 2009. It always brings in nationally renowned filmmakers and artists from the area, aiming to offer culture and leisure options, and to favor the region's economy. In the short term we intend to bring an “elite” audience to Vila de Paranapiacaba, and in the medium and long term to bring cinematographic productions to the region.
We also have the Short and Feature Films Contest.
Regulation:
https://www.cachacafilmes.com/regulamento-concurso-de-roteiros
We, as Global Indian Film Festival, have a fundamental belief that cinema is beautiful and storytelling is diversely serene. We are at the end of the second decade of the 21st century and we believe that its time that new age experimental story tellers and artists are given their rightfully deserved audience. Our aim through this festival is to reignite the love for cinema which has somewhere been blurred due to the commerce of the trade. After all, DADASAHEB PHALKE did not make the first Indian film, RAJA HARISHCHANDRA with the purpose of earning money. Passion is what drives us, and we are looking to meet and celebrate passion through the medium of cinema.
Welcoming talented film makers from India across the Globe to showcase their narratives, short films, feature films, documentaries, animation, of any genre, any length, any medium of shooting, to come forth and submit your films. If your work has merit and you have passion, we have a platform for you. This festival is a platform to provide an open environment for directors, writers, actors, technicians, film appreciation enthusiasts and anyone who has a zest for cinema. Let’s network and talk about cinema and also let’s vow to bring another new wave through our work.
We will provide a platform for the winning films, showcase it on national television for our channel, which reaches to 17 million viewers from across the country.
Cortometrajes y Largometrajes
realizados entre 2014 y 2023
La inscripción es GRATUITA
Todos los géneros pueden participar
No aceptamos inscripciones a través de distribuidoras. Solo aceptamos inscripciones de los autores de los films.
Cada filmmaker solo puede inscribir 1 película.
Deadline inscripción: 15 mayo del 2022
Los Ganadores se anunciarán durante el 31 de mayo del 2022
12° FESTIVERD – Venezuela: UNIVERSIDADES VERDES
Festival Internacional de Cine y Video Verde de Venezuela abre su convocatoria para la 12° edición a realizarse del 2 al 6 de diciembre de 2024. Podrán presentarse cortometrajes estudiantiles de cualquier latitud, en una única categoría, siempre y cuando versen sobre la temática AMBIENTAL.
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Our vision: to become a green film and video festival that, from Venezuela to the world, serves as an example in the creation of loving-parental bonds among all the inhabitants of planet Earth.
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Our mission: to offer an alternative to environmental and ecological experiences that aim to rescue parental ties between all biotic and abiotic beings. The exhibition on green audiovisual narratives is interrelated with other streaming, media, transmedia and social network experiences, generating a network of virtual ties that we want to turn into parental ties.
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Our Philosophy: We distance ourselves from anthropocentric views and excessive mandates about caring for the environment that end up being anthropocentric traps without an understanding of the biology of love. The use of new technologies, academic and artistic production are the main vehicles for dissemination.
A space where the encounter with the diverse is welcome, since it enables the crisis and reflection on the hegemonic.
The MALDITO Videopoetry Festival is organising this competition with the aim of making visible two disciplines that, both together and separately, are much more distant and forgotten than we would like them to be. If experience tells us that both disciplines are minority and marginal in large European capitals, let alone the desert in which they find themselves in provincial capitals, where the circuit for their dissemination is practically nil.
We, as lovers of poetry, image and the expressive possibilities of their symbiosis, propose a line of action, encouraging the approach of the general public to the Festival and trying to make it grow from the first edition.
Our wish is that MALDITO reaches as many people as possible, with a growing presence and repercussion in the media and social networks.
MALDITO seeks to vindicate videopoetry as an art that connects people, that transmits feelings and promotes original or different ways of seeing the world, to try to be a grain of sand that makes any kind of visual or poetic art stop being marginal and cursed.(* The Spanish word for damned is MALDITO).
We expand sections by adding International Poetic Film Showcase.
We want to take the serious cinema culture to the people. It is also our aim to develop a fundamental understanding of cinema in the next generations. It is our endeavor that, through this, we can organize progressive and democratic cine artists who uphold human values; and explore the possibilities of making more and more films with social consciousness.
Vision
As a unique creative and learning experience, we curate innovative programs that develop artists and leaders, inspiring them to conceive and create powerful works and ideas that are shared with the world. We believe film as an art form has the power to bridge cultures and illuminate the universality of the human experience. Our principles objectives encompass promoting film to an ever-widening audience as a powerful medium that inspires creativity, encourages introspection and compels exploration.
Mission
ICA International Cultural Artifact Film Festival exists to inspire artists and leaders to make their unique contribution to society. We aspire to be the global leader in arts, culture, and creativity. Our mission is to cultivate and promote the art and science of film through education and cross-cultural awareness. The Festival supports the creation and advancement of innovative and artistic cinematic works from both emerging and seasoned filmmakers and proudly embraces the passion.
"Oltre lo specchio" ("Through the Looking Glass") International Film Festival is a popular showcase of the best SCI-FI and FANTASY movies from all around the world.
There are 4 main sections:
- a competitive section for full feature and short films ("Cine Futures") - with Italian premieres only;
- a non-competitive section for more experimental fiction and documentary movies ("Enlightments"),;
- a non-competitive section for more commercial and high entertainment features ("Little Futures"), especially focused on young adults, with Italian premieres only;
- a retrospective section ("Retro Futures") dedicated to a master of sci-fi and fantasy and to a special selection of movies from the past (Retro Futures is not open to submissions).
Along the screenings, there will also be other events like panels, masterclasses and workshops on sci-fi and fantasy literature, comics, tv series, videogames and on topics such as future urban development and the future of food.
We organize this festival in order to create a new reason to produce and introduce films and any other work of art that concentrate on the world’s problems and riches, and to pioneer the creation of a free platform and reward these works. We live in an era where too much information, and input that cannot be considered as information flow at a disconcertingly rapid pace in every plausible channel. We organize this festival so that we could all seek what is more local and smaller, and more importantly the one that is true and genuine together.
The ecological problems are increasing and becoming more and more varied; however, we also witness hope-inspiring developments. We organize this festival in order to create a platform that nurtures this hope. We hope that through our festival, the residents of Bozcaada, farmers, producers, scientists, artists, and all our guests will be informed about the current technological developments, environmental disasters and innovations, the most recent documentary techniques and also about each other’s existence. We hope that our festival will contribute to nurture solidarity.
The Tres Cantos City Council, through the Department of Culture, opens the call, on a competitive basis, for the I Short Film Contest with the intention of becoming a benchmark in this field and the purpose of stimulating and recognizing creativity in the audiovisual sector, specifically Short Film, as a form of cultural expression and as a means of transmitting values and traditions while stimulating the film industry.
NIFF is a space for criticism, denunciation, impact and social growth through the dissemination and promotion of cinema.
NIFF aims to be a statement against non-involvement, disregard and lack of commitment, which is the real disease of this century, where we produce more than we can consume, and happiness is subject to the law of supply and demand.
NIFF was born with the intention of triggering, debating the issues that are hidden under appearances and confronting the public with the social realities that show each individual as a part of those that make us complex, unique and human.
La Fondazione “Pasquale Battista”, in collaborazione con l’associazione Alice in cammino e le arti, AL.i.c.e AreArtiEspressive, in partnership con Ibrida Festival – Festival delle arti
intermediali e Apulia Film Commission, con il patrocinio dell’Accademia del Cinema Ragazzi di Enziteto, dell’Assessorato all’Industria Turistica e Culturale della Regione Puglia, del Comune di Bari, sponsor unico Levigas, indice un Bando di concorso di
cortometraggi e film d’artista destinato a cittadinǝ residenti, domiciliatǝ o natǝ in Italia.
Il concorso è rivolto ai/alle videomaker e videoartistǝ emergenti, indipendenti, pertanto si divide in due Sezioni: una Sezione Cortometraggio, dedicata alle opere che utilizzano una narrazione di stampo prettamente cinematografico; una Sezione Film d’artista dedicata ad opere “ibride”, che si avvalgono del linguaggio video come strumento di espressività in senso libero e ampio, non prettamente lineare. In questa categoria possono rientrare opere audiovisive come documentari, fiction, ma anche animazioni 3D, grafiche, ecc.
Cheongju International Short Film Festival presents movies that are touching, entertaining, and short but strong.
The program team of the 21th Cheongju International Short Film Festival is hosting the festival under the motto of 'Film Festival for the Audience, by the Audience, of the Audience'.
1. Organization
The Cheongju International Short Film Festival is organized by the Cheongju branch of the General Association of Korean Filmmakers and hosted by the Cheongju International Short Film Festival Executive Committee.
Discussions on the Cheongju International Short Film Festival began in 1999 when Kim Kyung-sik, the first chairman of the association, established the Chungbuk Film Council.
The official start of the Cheongju International Short Film Festival is the "Cheongju City Excellent Short Film Festival" held by Kim Kyung-sik, the first president of the Cheongju Film Artists Association, a division established in 2004.
At that time, the main programs were "Invited Screenings for Outstanding Short Films in Korea" and "Cheongju Youth Film Class" aimed at fostering future film talents.
Since then, the festival has been renamed the "Cheongju City Digital Short Film Festival" in 2006, attempting to make changes in line with the digital era. Then in 2013, director Eo Il-sun took office as the second president, renaming it as the "Cheongju International Short Film Festival," inviting foreign films to diversify the program.
The city of Cheongju declared "video culture city" with the launch of the "Cheongju Film Commission" in 2017.
2. Purpose
The Cheongju International Short Film Festival aims to promote the diversity of video culture and independent short film production by discovering and introducing excellent short films from around the world.
