The IV International Devotional Film Festival will take place between August 8 and 11, 2024 and the call for entries will be open until July 5.
The Festival aims to carry out a ritual, a bridge, between the spectators and the audiovisual works that seek, through the expressive possibilities of cinema, to understand reverence and fervor, questioning devotion as a way of being in the world. We understand devotion as a surrender, mystical or not, to an experience, an idea, a thing, a thought, a person, an object, everything is susceptible to devotion.
We clarify, as fundamental, that this festival, under no point of view, will be a participant in any propaganda and that it does not subscribe with any religious or other group.
EVERYTHING RAISED ON THIS PLATFORM IRA TO STRENGTHEN THE SCHOOL OF CINEMA IN C.O.V.I (Solano)
https://www.facebook.com/covicultura/
under fest ACTION
https://drive.google.com/open?id=0B6BXCHQIM_TRR3gtNHgtLVQ0LUk
IMPORTANT: MOVIES MUST CONTAIN SUBTITLES IN SPANISH UNLESS THE ORIGINAL LANGUAGE IS SPANISH. Printed in the video image or in perfect sync with the online player attached in the Festhome platform ( YOUTUBE , VIMEO, etc... )
Films that do not complete this regulation will need the subtitles ready to send to the Festival if the film is selected.
HOWEVER, THEIR IS AN ADDITIONAL OPTIONAL SERVICE FOR THE FESTIVAL TO CREATE AND/OR TRANSLATE SUBTITLES FOR YOU FILM. PLEASE READ RULES FOR ADDITIONAL INFO AND PRICES.
Films from the undergound, self-managed, decentralized and free distribution. Environmental and audiovisual tools used for pure joy, happiness, disinformation, emotional connection, television detoxification, collective cooperation, social creation of art, the multiplication of free cinema and more ...
The festival is a social tool viewable and controlled. It is an annual event, managed in a friendly network in cities across the continent, which displays unpublished, experimental or out of the system, linking non-conventional spaces, creating a common grid and a shared mission, fruit of a collective intelligence and the freedom of speech.
The festival is a social tool for visibility and coordination. It is an annual event, produced in a network, in several cities of the continent, which allows to display unpublished audiovisual productions, experimental or outside the industrial system and, in coordination, to contact non-traditional exhibition spaces generating a common grid and a fruit object / text of the collective Intelligence put into operation and manifestation.
This year the festival is not absent, we believe that it is more than ever necessary to maintain the premises for which the festival was created, understanding us as a counter-information tool, during these 14 years the dynamics of the festival has traveled unusual sites for what is understood as the official circuit of film festivals in conventional rooms for projections but in this way we have created walls, floors, cultural centers, neighborhoods, squares, streets, settlements, meeting spaces to see what is happening underneath the surface.
This edition has 2 OBJECTIVES
JOIN US
It is 16 years to accompany the under scene, this space that changes year after year, which takes new form when it is possible to see what is being filmed accompanying the new languages of this time. This experimental scene began to leave experiences that we were channeling in the conurbano, in the occupation and the promotion, in if in sharing, that nourished something that today is a few steps and that is one of the great objectives that has this edition 2024 .
we are already away from the commercial circuits or day-to-day broadcasting and we are looking for the construction of the cinema school in the Covi neighborhood of Solano, where we hold the film festival and believe that the TRECE will be a great kick for this experience that we support and we have been part since its inception.
ITINERANT
The productions chosen, will be part of the retrospective that we will be projecting in a route that will unite different points of Argentina.
The film festival will become itinerant.
Here we see cinema, we talk about cinema, we make cinema. We experiment with the form and structure of the festival, always. We want to rotate the transparency of the impeccable narratives. We are self-management, we have great reasons to criticize from a clear political position our sociocultural context of audiovisual production. We seek to see that which is hidden beyond the superficial, without red carpets.
#VIEWCONFERENCE is the premiere International event in Italy on Computer Graphics, Interactive Techniques, Digital Cinema, Animation, VR/AR, Games, VFX and immersive storytelling.
1) VIEW AWARD: First Prize is 2000 Euros
2) ITALIANMIX: First Prize is a Wacom Tablet
www.viewconference.it
Facebook: https://m.facebook.com/viewconference
YouTube: https://m.youtube.com/channel/UChGdAnZQE6UcH_OQ5DNFW_Q
Twitter: @viewconference.it
Instagram: view_conference
МФКД «ДУХ ОГНЯ» задуман зимой 2002 года. В то же время автор замысла – кинорежиссер Сергей Соловьев обсудил идею фестиваля с Губернатором Ханты-Мансийского автономного округа – Югры Александром Васильевичем Филипенко, который и поддерживает фестиваль с самого момента его зарождения . Вскоре было принято постановление Правительства Ханты-Мансийского автономного округа о проведении IМФКД «Дух Огня» с 26 января по 2 февраля 2003 года , и в течение года шла его подготовка. Инициативная группа посетила ряд больших мировых международных фестивалей. Во время подготовки была четко сформирована идеология готовящегося фестиваля, которая включала в себя идею не только ежегодного общественного смотра практически всех дебютных работ , делающих в России, но и существование этих работ в контексте мирового дебютного кино, а так же идею наследования новым русским кино наиболее выдающихся традиции, оставленных нам великим мировым кинематографом второй половины 20 века и великолепным кино исчезнувшего Советского Союза. В это же время были сформированы руководящие органы фестиваля , в частности его бессменный Президентский совет .
Президентский совет Фестиваля :
Президент МФКД «Дух Огня» - Эмир Кустурица
Вице –Президент МФКД «Дух огня» - Мария Зверева
В состав Совета входили
Первый Президент МФКД «Дух Огня» - Сергей Соловьев
Вице –Президент МФКД «Дух Огня» - Александр Абдулов
По ежегодно обновляемому регламенту фестиваля в его структуре предусмотрены следующие официальные и неофициальные смотры:
Международный конкурс дебютных фильмов, в котором могут участвовать любые дебютные фильмы, независимо от их участия в других международных кинофестивалях в количестве 10-12 лент. Из них по регламенту не более, чем два кинофильма могут быть на русском языке. Конкурс оценивает международное жюри , состоящее из 5-ти крупных деятелей международного кинематографа. Предусмотрено присуждение четырех международных призов, обеспеченных денежным вознаграждением.
Ежегодно в разных залах города Ханты-Мансийска и всего Ханты-Мансийского округа –Югры( площадь =534.8 тысяч кв.км., превосходит территорию любого европейского государства, кроме Франции) во время фестиваля идут тематические ретроспективы показа. Из года в год работает программа «Кинематографические мифы народов Севера», «СССР- великое кино» и др. Наличие этих программ позволяет участникам фестиваля и зрителям системно знакомиться с шедеврами мирового кино . Каждый фестиваль посвящается уникальному кинематографическому мастеру ;уже прошли фестивали, посвященные Михаилу Калатозову, создателю великого фильма «Летят журавли» режиссеру Андрею Тарковскому … В рамках фестиваля ежегодно работает клуб детского и юношеского кино, где проводится ретроспективы детских фильмов. Во время фестиваля постоянно работает профессиональных клуб , который всегда обеспечивается уникальной культурной программой , включающей эксклюзивные выступления выдающихся исполнителей классической рок- и поп- музыки. В рамках фестиваля проводится ежегодные фотографические и изобразительные выставки.
Нужно отметить , что все без исключения фестивальные просмотры проходят при заполненных залах. Ханты-Мансийск – студенческий город, и молодежь этого города- самый главный фестивальный зритель и судья. Цифры, которые показывают кинопрокатные организации по окончании каждого фестиваля воистину удивительные. На первом МФКД «Дух Огня»только кинематографические программы при двух фестивальных залах посетило около 50 000 человек. На всех остальных фестивалях вместе с количеством фестивальных залов росло и количество фестивальных зрителей.
¡Hola! We are MADRIFF • Madrid Indie Film Festival, an international film festival with monthly screening events from Madrid, Spain, and member of the IBERIFF • Iberia Indie Film Festivals, which celebrates and showcases new productions and independent artists from all over the world in Madrid (MADRIFF), Barcelona (BARCIFF), València (VALÈIFF), Seville (SEVIFF), Lisbon (LISBIFF) and Montpellier (MONTIFF), that you can also find them here in Festhome.
MADRIFF also promotes the selected films on its official website www.iberiff.org and social media channels, where the nominees can share their nominations with their followers. Fiction, animation, documentary and experimental films of any genre and subject are welcome!
Salut! We are MONTIFF • Montpellier Indie Film Festival, an international film festival with screening events in enchanting Montpellier, France, and a member of IBERIFF • Iberia Indie Film Festivals. IBERIFF celebrates independent artists and showcases new productions from across the globe in Montpellier (MONTIFF), Madrid (MADRIFF), Barcelona (BARCIFF), València (VALÈIFF), Seville (SEVIFF) and Lisbon (LISBIFF).
MONTIFF shares the mission of its associate festivals in supporting emerging talents, encouraging artistic exploration, fostering networking, promoting cultural exchange, engaging with the local community, and providing a platform to celebrate and showcase the work of independent filmmakers.
Fiction, animation, documentary, and experimental films of any genre or subject are welcome!
Sicilymovie – Agrigento Film Festival is a festival of feature films, short film, documentaries, videoclip, spot and animation shorts, created and organized by the Southmovie Association, which was created with the aim of bringing outdoor cinema for everyone to the heart of Sicily: the evocative Valley of the Temples of Agrigento, a city named Italian Capital of Culture 2025. The themes addressed in the works of directors from all over the world are multiple and educational.
The ninth edition of Sicilymovie is aimed at the best productions and distributions of short films and documentaries in the world who will compete for the Golden Demetra, the representative statuette of the Festival which recalls ancient Greece, cultural symbol of ancient Akragas, the city of Agrigento.
The project is supported and sponsored by the Valle dei Templi Archaeological and Landscape Park of Agrigento, the Municipality of Agrigento, the Sicily Film Commission and the Tourism Department of the Sicily Region. The Valle dei Templi Archaeological and Landscape Park is about 1300 hectares wide and here belong the remains of the ancient city of Akragas and the surrounding area up to the sea. The Valley of the Temples was declared a "World Heritage Site" by Unesco in 1997. Today the Valley of the Temples has more than one million visitors a year.
PLACE, DATE AND DEADLINE
Sicilymovie - Agrigento Film Festival will take place from 18 to 21 July 2024 at the Valley of the Temples of Agrigento
The deadline for the call will be 2024, May 31 at 23:59
After the good acceptance obtained in the XII previous editions of the festival of short films 4' SHORT ... and to continue with the idea and intention and opportunity to accommodate the different areas of artistic expression, Alcorac 1,968 Cultural Association invites all those who wish to participate in " THE XII INTERNATIONAL SHORT FILM FESTIVAL SHORT 4' ... "
Launched in 1980, our festival, the first of its category in South Korea, has grown and evolved from the Korean Short Film Festival, to become the Busan Asian Short Film Festival in 2000 and eventually the Busan International Short Film Festival in 2010 (www.bisff.org).
Taking place late April at the Busan Cinema Center, BISFF delivers a dozen awards in three competitive sections (International Competition, Korean Competition and Operation Kino) while also presenting several curated, non-competitive sections including: Guest Country, Korean Shorts, Asian Shorts, Prism, 3D Cinema, etc.
BISFF is a member of the Short Film Conference (http://shortfilmconference.com/) and of the NETPAC (Network for the Promotion of Asia Pacific Cinema https://netpacasia.org). In 2018, it became South Korea’s first Oscar®-qualifying festival.
Calling out to all Horror Film Developers, Students, and anyone who wants to be a part of the Horror Genre. The Second Annual CineXposé Independent Horror Film Festival presented byDead Talk Media, LLC , a revolutionary virtual film festival created with the purpose of exposing gifted autonomous filmmakers, is scheduled to take place from January 13-15 and 20-22, 2023. However, our film submissions process is officially open so we encourage all Indie Horror Filmmakers to submit their media projects as soon as possible.
The CineXposé Horror Film Festival will differ from other such events in that there are no fees or costs to filmmakers who submit their projects. Furthermore, our “by invitation only” film festival will not only be viewed by industry professionals, but also by our social media followers (over half a million). With our tradition of letting our audience choose the winners, the power of social media will be employed in choosing our CineXposé winners.
The Center for Common Memory for Democracy and Peace, a national association that campaigns for universal human values and defends human rights, including the right to "a dignified life to the end", cannot remain insensitive to the current debate on the environment and the search by international community for practical solutions to curb its worrying deterioration.
While the right to life is an irreversible achievement, the emergence of the fourth generation of rights associates human well-being with "a healthy life in a healthy environment". So any degradation of the environment means a degradation of the quality of life.
The theme of "The Memory of the sky and the ground", chosen as the unifying theme of the 13th edition of the International Festival of Cinema and Shared Memory, to be held in Nador from 5 to 11 october 2024, is part of efforts to raise awareness, through art in general and cinema in particular, of a devastating scourge that threatens humanity.
The festival organizing committee is therefore calling for:
1- Documentary films that tackle issues such as:
- The ravages of global warming
- The destruction of biodiversity and ecosystems
- The depletion of natural resources
- The consequences of deforestation
- Water and air pollution
- Disasters caused by industrial activities
- The damaging effects of excessive industrialization
- Over-exploitation of natural resources
2- Short and feature films which, without being subject to the unifying theme of the edition:
- Tackle memory or human rights;
- Deal with human causes using new approaches;
- Propose new themes with a modern vision.
Moscow International Film Festival (MIFF) is one of the oldest world film forums (the second after the Venice Film Festival). The Moscow International Film Festival has been leading its history since 1935. Then the chairman of the jury was Sergey Eisenstein, and the film Chapaev opened the first festival. However, in subsequent years the festival was not held regularly. Therefore, the Moscow International Film Festival has officially counted down since 1959, when it was renewed and turned into a regular event - it was carried out over odd years, alternating with the Karlovy Vary Film Festival. In 1999 MIFF became an annual event.
Hungry Minds Film Festival è un evento unico nel suo genere che celebra la relazione tra cinema, cultura, cibo e sostenibilità. Questo evento unisce mondi affascinanti, offrendo al pubblico l'opportunità di esplorare il connubio tra la settima arte e la passione per il cibo in tutte le sue forme, con un focus particolare sulla sostenibilità e la condivisione.
Il Festival si propone di presentare una selezione accurata di film e cortometraggi, nei quali il cibo è il fil rouge; dai documentari che esplorano le sfide ambientali legate all'industria alimentare ai film che raccontano storie appassionanti incentrate sulla cucina locale e sostenibile, l’Hungry Minds Film Festival offre una visione diversificata e coinvolgente del rapporto tra cibo e sostenibilità.
Ogni film selezionato avrà un legame diretto o indiretto con il mondo gastronomico, offrendo al pubblico un'esperienza cinematografica che stimola la mente e soddisfa il palato. Gli spettatori saranno immersi in storie che esplorano il modo in cui il cibo potrà diventare motore per il cambiamento, generando riflessioni su consapevolezza ambientale e partecipazione attiva nella creazione di un futuro più sostenibile.
Attraverso proiezioni di film, dibattiti interattivi, degustazioni e incontri con registi, chef e esperti del settore, l’Hungry Minds Film Festival ambisce a creare un'atmosfera vivace e stimolante.
Internationally, the Festival will award the Best Film, among the first three feature films of a director who has not yet made the fourth, with the Pre-Columbian Circle in its Gold, Silver and Bronze categories and the Pre-Columbian Gold Circle for Best Director, Best Social Documentary, Art and the Environment., Among the first three films. At the national level, the Pre-Columbian Gold Circle will be awarded for Best Colombian Film short and feature films.
Sidebars: International Short Films, Animation, Sacred Films, Films for Children and Blinds.
The FIC AUTOR (Author's International Film Festival) is interested in unique and artistic films that exceed the limits of traditional storytelling. We look for Feature and Short Films that reflect the director's personal creative vision, and a style that is distinct enough to shine through the collective process.
We don't care if your films have recognized stars or unknown names; we are against the politics and bureaucracy that floods the film industry. We want to be recognized as an objective festival. We don't want to build our reputation based on how many superstars are in attendance; what we want is the truly best world cinema in our theaters!
FIC AUTOR will strive to be one of the most important cultural events in the city. We aspire to become an international spotlight for new directors!
-The 13 winning Authors will receive the WINNER LAUREL, plus FIC AUTOR trophy or rings and sponsor's prizes.
-WINNERS will be announced one month before the award ceremony, so all the nominated filmmakers can decide beforehand whether they want to travel to the festival.
-The award ceremony will take place in the CINEFORO, one of the biggest cinema theaters in the city with 440 seats, and is the most prestigious.
We are not like other bulls**t festivals, YOU DONT have to pay for your prize. IT'S A PRIZE, NOT A DEBT! And we don't give metal or glass trophies... Our trophies are 100% made from silver and semi-precious stones! As independent filmmakers we know the things we love and hate about film festivals, so we want to avoid all the negative things we have found the in past years, such as exorbitant, unnecessary fees, teenage judges and of course.. trophies you would rather hide in the closet.
CATEGORIES:
Feature Films Categories:
-Fictional Feature Films.
-Documentary Feature Films.
-Experimental Feature Films.
-First-Time Filmmaker.
-Low Budget Feature Films Under 50K USD.
-Mexican Feature Films.
Medium Length Category:
-Medium Length Films.
Short Films Categories:
-Fictional Short Films.
-Documentary Short Films.
-Experimental Short Films.
-Animated Short Films.
-Mexican Short Films.
-Cineminuto 1 minute Short Films.
Medina del Campo Film Week (SECIME) is one of the most consolidated events on the national film scene, standing out as a benchmark in the promotion and dissemination of short films, and being a key exhibitor festival for the Academy of Arts Awards. and the Cinematographic Sciences of Spain. Its main objectives are to support both new talents and established filmmakers, promote the creation and production of short films and contribute to the growth of the audiovisual industry.
The purpose of the festival refers to awareness of both the external filters on the screen, including censorship (commercial, ideological, aesthetic), and the internal filters of screen perception and projection, including self-censorship. NEFILTRAVANAE KINO is an exploration of aestheticization and commodification in art. The next aim of the festival is to expose the complexity, manysidedness, and variety of filmmaking.
NEFILTRAVANAE KINO is a film festival that is held by the Short Movie Club, the platform for cinematic projects. NEFILTRAVANAE KINO is ADAMI Media Prize qualified festival. The International Film Studies Conference is held at the same time as the film festival. In this way, film theory and practice are integrated together at the NEFILTRAVANAE KINO.
Originally the festival was held in Belarus, but because of political repression and publicly stated anti-war stance, screenings and events can be held in different countries. First of all in Lithuania (Vilnius). For example, the 10th Nefiltravanae Kino took place in Berlin, Vilnius and Helsinki last year. There were selected 63 films for 12 film programmes. https://shortmovie.club/programmes/10-2024/
The concept of the NEFILTRAVANAE KINO (Unfiltered Cinema):
ALIENATION PROBLEM
We live in a world of malls and cinema multiplexes. We see that indie cinema and non-commodity art go to the periphery of public attention. Primitive attractions replace the cinematography. The escape audience is alienated behind the big screen. So modern mainstream cinema is part of a manipulating tool that leads to the society of alienation. Thus the tendency is that indie cinema becomes more unreadable for the wide audience. We should understand the context of the filmmaker to understand the independent cinema. That is why the NEFILTRAVANAE KINO concept implies the physical presence of filmmakers.
FILM SELECTION PROBLEM
Filmmakers shoot millions of movies. And thousands of short film festivals organize screenings all over the world every year. On average, several thousand films are submitted to a film festival. So various good films can be neglected for whatever reason. Often selecting probability is like winning a lottery. As a result, filmmakers are left with no feedback. It is a paradox that no one can hear you in the age of the Internet! The mainstream culture prefers attractions and casual viewing.
Also, this idea is based on the film selection problem. Perhaps it’s no surprise one person, i.e. programme director at best, or even students of film schools make a preliminary decision to select a movie. Сoncordance of judges or previewers is more seldom thing than the difference of background, tastes. So selection or judging can be one-sided or perfunctory. It is not bad as the programme director has a good taste and aesthetic sensitivity, of course. But we’ve discovered another conception of “unfiltered cinema”. We matched it against “the best of the best” way. This way aids to perceive cinematic idiom without the dictate of art-curators.
CELEBRATION OF INDIE CINEMA
So the Unfiltered Cinema Film Festival tries to avoid “the best of the best” way but it does not ignore it completely, sure. The festival selects fiction, animation, documentary, experimental and virtual reality sections. A jury awards the best film in every section. The festival holds the screenings at cinema theatres, the National Centre for Contemporary Arts, and art-spaces.
Our aim is to gather people in art, to have a dialogue to be happy with smart communication. Cinema is art but not sport. The key point of our project is to establish communication between the filmmaker and the audience.
Please, read about the festival history through the link to the festival's website. http://shortmovie.club/history/
The Short Movie Club provides constructing of CinemaVan ( see https://www.behance.net/gallery/33392769/Cinema-van-Mobile-library-Amphibia ).
FICSEM is a new Social and Ecological Film Festival, which was going to see the light of day for the first time in 2020, in the Mediterranean area.
For major reasons, and having been immersed in a situation in which we have all been affected, we have decided to adapt to the current situation, and give a new focus to our festival. Maintaining the enthusiasm and passion we feel for the artistic world.
Our festival is aimed at the dissemination and promotion of film authors related to topics of social and/or ecological value.
Because we believe in the power of art as a transformative medium, our contribution from this festival is to give visibility to projects that address environmental and social changes in which we are immersed. We are an international festival because we understand the world beyond barriers, and because we are moved by the need to get to know other cultures and share the best of ours, as it contributes to any improvement in any corner of the world.
The Mediterranean is the climate that surrounds us, and we feel identified with it. In terms of warmth, closeness and transparency. We are a festival that is starting strong, with a large number of committed artists who share our cause, and the desire to share.
And that is why we are not afraid to break the most classic festival patterns. So much so, that in the award for best actor and/or actress, the recognition of the award falls on their social and/or ecological work... And not only on their skills.
Despite having firm ideological foundations. We open ourselves to other artistic areas and initiatives.
