If you love brand new and classic horror, cult, extreme fantasy and Sci-fi movies then GRIMMFEST is for you. We pride ourselves on bringing you the very best in new genre film from around the world.
Movie premieres, special film makers and celebrity guests and a selection of genre classics on display. Now in its sixth year, Grimmfest has quickly become the premiere UK festival of genre film outside of London.
FesticineKids 26 is an international children's and youth film festival in Cartagena de Indias, it is a film competition that orients its efforts towards strengthening the production and distribution of Colombian, Latin American and world cinema for children and young people.
In 2024, FesticineKids reaches its 26th, edition with the same spirit of highlighting and celebrating cinema for girls, boys and young people. The phrase has been chosen as the slogan: A LOOK TO THE COLOMBIAN WEST. From this concept it is intended to invite children and young people to be aware of the responsibility they have to be agents of change in their environments. Children and young people are the future that should encourage the care of our planet earth, the human beings that surround them, animals and plants, as well as the places they visit. The tendency to Afro movies and ones oriented to indigenous people.
In the construction of the profile of the FesticineKids 26, the screen is problematized as a point of confluence of girls, boys and adolescents. By postulating cinema as that scenario in which feelings, emotions and beliefs are expressed, it is intended that girls, boys and adolescents, understanding what the cinema evokes them, what they extract from it and its meanings, wonder about the place that cinema has in their lives, in their environment, in parallel to the place they want and dream of.
It is also an opportunity for adults, parents, teachers, cultural and cinematographic authorities, to think about the need to strengthen their capacities to be trainers in tension and interaction with the audiovisual media, especially the cinema.
WHY THIS AWARD PRIZE NACIONAL DE CORTOMETRAJES "JAIME OSORIO GÓMEZ"
Community of Viterbo Caldas, has not been sufficiently fair or not had taken seriously the importance that has for a municipality that one of their children has such an impact in a trade, or art, and even more so at levels that managed it to do the Mr JAIME OSORIO GÓMEZ, who was born in ViterboCaldas, on March 7, 1947 and studied law at the Autonomous University of Colombia.
In the 1970 began to conduct business and to court political documentaries, such as Chile does not surrender, hell. He was a professor at the National University of Colombia and the school of cinema and Television of San Antonio de los Baños in Cuba, in addition to representing the Colombian producers in the Board of Directors of Proimágenes in motion. He directed the medium-length films all rights reserved, ceremony of the Benkuna and life or death, where are already insinuating clearly the characters of confession to Laura. In the 1980 was the producer of tropical snow, the Emberá and my Macondo and was Assistant Director and production of two films by Lisandro Duque: Visa USA and miracle in Rome. In 1990 he participated in the lab of the Sundance Institute directed by Robert Redford with the confession project scripts to Laura, which a year later became his debut film. In 1991 he was general producer of Nazca, series television Española, shot in 21 countries of Latin America, in addition to production of the film l'enfant du Bont du Monde for French television. But would miss more things: was the co-producer of the Virgin of assassins, Barbet Schroeder; Producer and actor of Maria full of grace of Joshua Marston and also produced La Sombra del caminante of Ciro Guerra. At the time of his death he was working on multiple film projects in various stages of production, such as Satan, directed by Andi Baiz; Child's play, directed by Carlos César Arbelaez; The taxidermist, directed by Luis Alberto Restrepo; the project colors of the mountain, also of Carlos César Arbelaez, and the feature film time of the Lions, written by himself and Jaime Escallón Buraglia. "Those who had the pleasure to shake his hand, understand the size of the huge loss that took the Colombian cinema with his departure" one of the people who have contributed most to our film to reach the upper echelons; for all the above we got in the task of creating the "Prix national of short films JAIME OSORIO GÓMEZ". Posthumous and well-deserved tribute to the mentioned in question.
2nd edition
Aug 04 - Sep 12, 2014
München, Germany
Open Call Open to Public Competitive Market Special Fees
Festival type Real Venue Festival
Types of films Any type, Animation, Docu-feature, Documentary, Experimental, Hybrids, Industrial, Multimedia, Narrative fiction, Student, Web
Film length Full length, Mid-length, Short
Genre Adventure, Alternative, Art, Avantgarde, B-Movie, Biography, Burlesque, Classics, Comedy, Crime, Culture, Dance, Dark comedy, Drama, Environmental, Fantastic, Fantasy, Film noir, Hip Hop, History, Horror, Human rights, Independent, LGBT, Live Action, Microcinema, Mockumentary, Musical, Mystery, , Parody, Post modern, Realism, Reality, Road Trip, Romance, Science fiction, Silent movie, Surreal, Transgender, Underground, Urban
Mission / description MUFF:
The Munich Underground Film Festival, MUFF began in December 2012, when two college friends Heike Mohler & Erika Rahner, decided to organize a totally independent festival in Munich and the two organizers had internet creativity and only then decided to put together a team of friends and some German filmmaker and made MUFF first in 2013, totally haphazardly and rebellious spirit that caused controversy and some processes. The festival takes place every year. Through the festival's official website, online, group discussion and interaction among participants. Through the controversies that hovered the festival, the impact was so great that several support and partnerships were closed with the festival organization. The MUFF is consolidated in the second edition as one of the most respected underground film festivals in Europe.
The Esseoesse Cultural Association announces the competition "CortoDino Film Festival Dino De Laurentiis 2024 - XIV Edition", a competition that stems from desire to remember and celebrate, in his native land and in commemorative and propositive terms, the figure and work of Dino De Laurentis. The Metropolitan city of Naples, Vesuvian areas, “Giorgio De Chirico’s Secondary School of Art and Communication”, the others secondary schools of the area and the main cultural associations of the Vesuvian and Campanian areas will collaborate in the event.
So, the main aim of the initiative is to create an opportunity for meeting, confrontation and knowledge of young filmmakers who enter the cinematographic sector, in which the influence left by the illustrious “Torrese” has certainly been significant, promoting cinematographic culture through the inclusion of disadvantaged people and the research and promotion of works by talents from Campania, and also national and international.
The presence of the world of solidarity, cultural associations and of school is the clearest sign of the purpose of connecting in particular with the world of young people.
Cortodino Film Festival XIV edition will take place in November 2024. Cities, places and days of the event will be subsequently communicated.
Let us be curious! And let us open to this universe of creativity, inventiveness and diversity that is the short film always little present on our screens, small or big!
More than 200 movies will be presented to make you laugh, amaze you, annoy you, surprise you and plunge you into the wealth of the short film! Movies coming from 45 countries, as well as from all France and from the Region Midi-Pyrénées, from recognized directors or in the process of the future.
Torremolinos International Fantastic Film Festival has become in a few years in one the most important events at Costa del Sol (Spain). Place in the Torremolinos' exhibition and conference centre: theaters with 240 and 460 people capacity. Organized by the Cultural Association "Cinefans", the festival it's now a reference of innovate and transgresive ideas. It starts at Halloween (with its own Halloween night) and it includes galas, shows, horror movies marathons, charitable sessions, guests and honored films for their anniversary.
ONLY FOR LATINAMERICAN FILMMAKERS / SOLO PARA CINEASTA LATINOAMERICANOS
The short films taking part in the competition must necessarily tackle a social topic, since the Festival aims at raising awareness on contemporary issues such as social exclusion, migration, gender violence, unemployment, fundamental rights, etc. Any short film which shows these or other social issues will be accepted in the Festival, notwithstanding the main topic of the short films may not have a particularly social nature.
Brainwash, since 1995, has delighted audiences with a selection of the bizarre, the unique, and just plain old well-made movies from independent producers all over the world. With an eye toward the abstract, the innovative and the weird, Brainwash saluted it's 25th Silver Anniversary in the 2019 season, and, we're still going strong. We have consistently attracted entries we curate to be able to display some of the most cutting edge cinema from up and and coming directors, actors, producers and crews consistently year after year. So please send us yours this year!
Since the International Short film Contest Festival “Ciudad de Soria” considers at all times Short Films CINEMA in capital and appreciates as essential culture dissemination, our purpose is to promote as mean of audiovisual expression; the contribution to acknowledgment and dissemination. This format must be essentially and basically a part of CINEMA.
Some call it the “Lady Tickler,” “Lip Spinach,” or even, the “Cookie Duster.” Formally, it is known simply as “The Moustache.” In all of its forms it represents a man’s individuality and inner strength. Whether a full, furry and lustrous lip warmer or a smooth, sleek line of suave sophistication weaving it’s way across a dude’s upper lip, a man’s Moustache is an indication of his robust heart and the very soul of his being.
As part of the annual Facial Hair Fest—a celebration of facial hair in Portland, Maine—we are now looking for submissions for the International Moustache Film Festival (IMFF). Films will be screened in several venues throughout the week of March 21 through March 28, 2015,.
The Facial Hair Fest features all sorts of delightfully hairy good times, including the 8th annual Stache Pag (a moustache pageant), the Facial Hair Farmers Market, the Can-Am Beard and Moustache Competition, and of course, the IMFF. A number of IMFF screening blocks will be held, each dedicated to a different kind of stache. And despite the official name of the festival, beards are welcome. They are, after all, the less refined cousin to the moustache.
Films will be selected based on two criteria. First, we want good films. Second, we want films that highlight conspicuous, outstanding, and awesome facial hair. It's that simple.
Past years have seen the IMFF covered in the global press, including: Movie|Line, EW.com, The Guardian, BBC, Reuters, The Huffington Post, Boston.com, Yahoo.com, The Times of India, Buenos Aires Herald, DownEast Magazine, The Tribune, American Mustache Institute, The Beard Club and Stuff.Co.NZ.
Have a main character with a nice stache? Send us your film.
A documentary about hippies with beards? That's good to.
A film about Salvador Dali or Jesus? Totally qualifies.
A film about any of the following:
Hippies. Prophets. Musicians. Mountain Men. Cops. Robbers. Firemen. Old Fashioned Strong Men. Cowboys. NFL Quarterbacks. Private Investigators. Scientists. Political Leaders. Pirates. Canadians. Wizards. Dwarves. Dads. Cavemen. You. Your friends. Your enemies.
So send us some films, and please consider attending the International Moustache Film Festival!
The Unreal Film Festival is an annual film competition held in September in Memphis, TN. The festival accepts both short and feature length films from all over the world, but only films that fall under the horror, sci-fi, and/or fantasy film genres.
The year 2015 by can be easily termed as the ‘year of intolerance ‘in Indian socio-political and cultural milieu. This was coming all the way from the time the right wing party was voted to rule the country. It began with re-writing Indian history and text books for schools, colleges and academic institutions, running down Gandhiji, the architect of free India as also the free thinkers, eliminating rationalist, outspoken intellectuals and scholars, isolating artists and film makers, taking control of Central Board of Film Certification by forcing the eminent men and women constituted that body to resign en-mass. The right wing people have taken charge of all public art and cultural organizations.
People from the minority communities have been lynched and killed for suspecting to have eaten beef. Cow slaughter has been banned in states like Maharashtra taking away food from the tables of minority communities as well as daliths and increasing the burden on the farmers already bending backward with debt and are committing suicide. Those who protested the beef ban have been beaten up in Kashmir, in Uttar Pradesh and New Delhi. When the public very clearly understood that the general response of the government to these problems were dismissive as something that is done by antisocial elements people began to take action. The prominent scholars, writers, poets, actors, film makers and theatre personalities started returning the awards they received from the government. There were protests across the country, from politicians and eminent citizens.
Another aspect of this intolerance is manifested in witch hunting NGOs like Green Peace for very prominently taking up environmental issues and challenging the implementation of economic projects without proper environmental impact assessment. Those NGOs on the hit list of the government is harassed in every possible ways including cancelling their FCRA numbers and freezing their accounts. Fortunately so far the justice system was very fair in their judgments which has given much relief to the NGOs under the government scanner. Generally NGOs these days are seen by the politicians as people ‘against development’.
These very arrogant postures of the government was downsized by the people of India through democratic resurgence. First they lost a very high pitched assembly election in Delhi to Aam Admi Party and later in another high pitched assembly election in Bihar the right wing lost to an alliance of democratic forces represented by Lalu Prasad Yadav and Nitish Kumar the local leaders. In all these instances the media was very pro-establishment. Were they too scared to investigate issues and inform the public?! While we hope that the people will elect democratic and secular parties in the Assembly elections happening now in April/May 2016,we need to nurture grass root level democratic practices which is one of the major objective of the festival. Whatever work we are engaged in now is from a very diminished public sphere. We do not know what the future holds for us but for now we belong to the breed of marginal citizens of this country.
As for our experience in this specific field is concerned, Bangalore Film Society was the South India coordinator of Tri-continental Film Festival "Human Rights in Frames from 2007 to 2009 organised by an NGO called Breakthrough. An average 5000 to 6000 people used to attend this festival in Bangalore in three days and the event had become very popular. Apart from this, we used to take these films to academic institutions as well as film societies in all South Indian States. However, the tricontinental film festival closed after 2009 and at present to the best of my knowledge we don't have a human rights film festival of that magnitude.
In the present Indian context, Bangalore Film Society wish to start an International Human Rights Traveling film festival from December 7th to 10th or from 9th to the 12th 2016 (depending on the availability of the auditorium) and organise a conference on freedom of speech and the right to dissent. The films selected will address major international human rights concerns such as refugees, lgbt sexuality, boarders, women, socio-political conflict, communal conflicts, child labour/abuse and so on The emphasis on the impact it should create. Once the festival is over these films will be circulated for screenings in educational, media institutions and film societies across India.
The 11th Annual Toyama International Film Festival will take place in June of 2024 in Toyama Prefecture. With such great success in previous years, we are excited to once again share the visions of filmmakers from all over the world with our local community in the countryside of Japan.
Submissions will be open until April 14th, 2024.
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The Annual Toyama International Film Festival (TIFF) began in the rural prefecture of Toyama, Japan. Started by a few English teachers in the area, we hoped to reach people not just in Japan, but around the globe.
The first TIFF took place in a small room inside of a shopping center, where about 70 people watched the 10 films we had received. The following year was a tremendous success with over 100 submissions from different countries, quite a step from our first year. The event was held in the city of Toyama at a local independently-owned venue, Bodegas-Mambo with around 80-100 guests coming to view the films. Every year since, we hope to expand even further and provide an even larger venue for participants and the movie-going community in Japan.
Today, with over 1200 submissions each year from countries around the world, TIFF has become a highly-anticipated annual event and a staple of Toyama's international community.
Note: Due to time constraints, we cannot accept films that run over 10 minutes. However, any genre of short film will be considered for exhibition.
Dallas Videofest is the major event presented by the Video Association of Dallas, which is dedicated to promoting an understanding of video as a creative medium and cultural force in our society, and to supporting and advancing the work of Texas artists working in video and the electronic arts. Through its programs and information services, the Video Association intends to educate and inform artists, students, educators, critics, video and film producers and an interested public so they may better understand, appreciate and evaluate the creative possibilities of the video medium. It will also provide a forum for the work of regional video artists, in order to stimulate excellence in their work and provide the opportunity for dialogue and critical discussion.
