Official Website:
https://www.gzdoc.cn/en/index.aspx
Official Email Address:
film@gzdoc.cn / screen@gzdoc.cn / project@gzdoc.cn / docshop@gzdoc.cn
[Important]
1.All emails should be regarded as official only when they are sent from the official email addresses listed above. Please do not make a promotion of selection if you only get an email from Festhome without any confirmation from our official email address.
2.We will only notify selected films by film@gzdoc.cn. If you haven't been notified by email by the end of November, it means your film has not been selected.
Introduction of GZDOC Four Main Sessions:
GZDOC is the only state-level professional platform with documentary financing and trading functions and has become the pioneer in China's documentary industry, showcasing national industrial policies and international development trends. Dedicated to the documentary festival for two decades, GZDOC has turned into a comprehensive cultural event integrating competition, screening, pitching, training, forums, and market.
①Golden Kapok Award Competition
The Competition section is dedicated to honor outstanding documentaries that can promote the exchange of various cultures, communicate universal emotions and values through excellent filmmaking techniques and high-level production. This section does not contain any public screenings. If the production team has the intent to do so, please also register for the screening section.
②Golden Kapok Screening
This is the non-competitive screening section that aims at presenting a variety of documentary films to the public, showing the audience the latest films with brilliant story-telling skills, authentic expressions, or experimental narratives.
③GZDOC PITCHING SECTION
GZDOC recruits work-in-progress projects for and from global market.
The 21st edition will invite Chinese and international buyers, broadcasters and key players from the industry as the decision makers, in the aims of developing the pre-sale, co-production and commission of documentary projects.
④GZDOC DOCSHOP
The DOCSHOP is a year-round marketplace for filmmakers, distributors, buyers and commissioners, etc. It contains three kinds of copyright cooperation modes:
1) On-demand Screening System
The DOCSHOP will set aside a screening area at the GZDOC venue. Participants will watch the films submitted to DOCSHOP through the on-demand screening system. Screening reports will then be generated, recording the viewers' purchasing interests. GZDOC staff will process these requests after the festival.
If necessary, the DOCSHOP will also set up an online on-demand screening system on official website(www.gzdoc.cn). The online on-demand system will be only available for registered guest, and only release film trailers.
2) Daily Operation
The GZDOC DOCSHOP will keep recommending films to various platforms in a bid to facilitate trades throughout the year.
3) Industry Screenings
Industry Screenings are film screenings at the GZDOC venue for registered delegates and industry professionals. On the spot publicity could be arranged, in a bid to promote the films.
The Santander International Film Festival was born on September 18, 2017. It was born as a cinema week focused on creativity, entrepreneurship and youth. It focuses on cinema although it has also given space to other arts such as literature, video art and, in this new edition, video games and VR.
The main venue for the festival is the Botín Center (Santander), and we collaborate with the Botín Foundation, the Government of Cantabria and the City Council of Santander.
From the Santander International Film Festival, the second edition of the Environmental Short Film Contest will be held, with the aim of promoting the natural spaces of Cantabria as a filming set.
PLAY is the first Portuguese film festival, exclusively dedicated to children and teenagers, determined to promote the access to culture for a younger audience through Cinema and screening films for audiences aged between 1 and 16 years old.
RULES AND CALL
VIII INTERNATIONAL PLANET ON ENVIRONMENTAL FILM FESTIVAL
November | 2024
DESCRIPTION
Colombia becomes the stage for discussing current environmental issues. To this end, Planet On proposes to engage in a dialogue between filmmakers, science, industry, and the public through cinematographic works, a short film competition that seeks to be that necessary space where people can narrate, from their perspective, the different environmental challenges that humanity faces.
Planet On seeks to find the best stories about illegal wildlife trade and the protection of fauna in Latin America, as well as any other environmental issues that participants want to address.
The eighth edition of the International Environmental Film Festival, Planet On, will be the ideal place where we will gather to reflect on the impact that these problems have on our lives and, of course, to celebrate the best audiovisual works.
The Festival considers the creativity and free expression of artists as fundamental elements for understanding reality. For this reason, Planet On will have, as conditions for participating works in different categories, the relevance, quality, and relevance, both environmentally and cinematographically.
The call will be open for national and international short and feature films.
Call Dates
Opening:
November 20, 2023
Closing:
March 31, 2024
Announcement of Selected:
August 2024
All sections enabled on the FestHome platform will receive projects until 24 hours, Colombian time, on March 31, 2024.
NOTE: Participation in the call does not imply the acceptance of the works as part of the official selection or as winners of benefits and/or prizes until chosen by the Curatorial Committee of Planet On.
CONTACT AND MORE INFORMATION
info@planeton.co
Festigol® is an independent non-competitive Football Film and Documentaries Festival held in Santiago of Chile since 2016. It aims to create a space where football is shown as a creator of stories beyond the pitch demanding it as a social and cultural phenomenon in Chile as well as in the whole world. We see football as a constructor of identities mobilizing our society’s affections, narratives and memories. We are seeking to be a means of appropriation and revaluation of the football-related cultural manifestations.
Besides the exhibition of films, we seek to bring together different audiences creating a meeting place for different football-related cultural expressions allowing us to develop emerging issues connected to this sport and to our society being today the single space offering movie showtimes related to the sport as a social manifestation in our country.
For its fifth version, Festigol® will be held from October 21 to 30, 2022 in Santiago de Chile with face-to-face exhibitions and through the festival's digital platform.
A non-competitive call will be issued for the exhibition of documentaries, short films, animations and feature films in order to promote and bring together the film production about football and related topics.
The Zaragoza Film Festival, founded in 1995 to create a cinematic activity in the city. At first his main title was the Young Filmmakers. Since 2007 its official name became the Zaragoza Film Festival.
Festival with various events, generalist and national character (although some of its events are international).
Starting in 2021, after celebrating the 25th edition of the Festival, we propose an evolution of the project.
It is one of the Best Short Film Festival ever. Come Join in and make this Great Event a Success. Indapur International Short Film Festival is leading an inventive International short film celebration and welcomes filmmakers and movie producers. It is one of a kind short film Festival, concentrating on opportunities for worldwide movie producers.
IISFF is a Unique Short Film Festival occurring every year in the city of Indapur (PUNE) which centers around opportunities creation for worldwide filmmakers. The possibility of this short film festival was taken through an Inspirational Event held in Pune during 2017 and it has been a long time from that point forward we have effectively finished up the 3 years of Short Film Festival Event in the city of Indapur.
IISFF will give a chance to elevate familiarity with Hindi, English and Marathi cultures and characters to crowds of every single social foundation. IISFF will introduce films in their unique dialects with subtitles with an end goal to construct cross cultural bridges. The Vision and Mission of IISFF is guided by a advisory board composed of reputed and notable appointed authorities, filmmakers and directors of film industry.
IISFF brings film lovers and film producers together to empower trade of data and single window answers for film industry. The Indapur fest Aims to do inventiveness through all year Activities like :
* Film Festival
* Seminar ( meeting ) by Experienced Film Directors.
* Film Screening
* Workshops for Upcoming Filmmakers
* Interactions with driving Film Makers, Technicians and Actors
It is a goal for the film network to find, reach and talk about the film festival occasions. Festivals are esteemed for the film business as the most dangerous road for developing contacts, coordinated efforts and professions universally. Indapur fest focuses on the production of this equivalent socialization, sharing and support.
The stage furnishes filmmakers with the innovation to distribute their films to crowd. If you make films or you screen films, Indapur fest can connect you to the next generation of film makers.
#NarrarelFuturo: XI Film & New Media Festival is a meeting point for exhibition, training and industry where local, national and regional industry professionals interested in filmmaking and audiovisual in its most recent and interesting narrative and technical trends within the digital environment meet; transmedia, web and interactive documentaries, virtual reality (VR/AR/XR), webseries, artificial intelligence, futurisms, narratives and crowdsourcing/funding, vertical video and other film and new media concepts are some of the Festival's thematic axes.
Similarly, during the event, development and creation scenarios are carried out such as the #NewMediaLab, Ibero-American laboratory for the development of new media projects and the #HackathonVR360, which this year reaches its eighth edition.
We also open the doors to the Colombian and international creative industry to create meeting and conversation points around ongoing projects: 10 tips to #NarrarElFuturo, speed networking sessions and the launch of the Hispanic American Projects Database and the new media industry manual are some of the activities in which attendees from the industry area will be able to participate in this new version.
During the 11th version -which takes place from September 10 to 15 in person at various venues in Bogota (Colombia)- attendees will enjoy more than 65 hours of film and digital content, 100 hours of training scenarios, 40 international and national guests and a broad and diverse spectrum of topics, processes and projects under construction and development.
The main objective of the 4th Version of Mobile Film Latam is to be a space for visibility, dialogue, reflection around the work, the concerns of producers, directors, activists, the community in general, around the current context of how to live, after having completed the preventive measures of Covid 19, the new dynamics of social interaction, the struggle to recover daily life that has been affected by the pandemic, in Latin America and throughout the world. In addition, the Festival intends to serve as a distribution platform, exhibition of the works, created with Mobile devices or smartphones by young experts, whose demand is short and limited by reason of its theme.
Look for films about identity and culture, in which the presence of these elements is significant, or that this has relevance in the story. a film is also sought to promote the defense, denunciation and protection of material and immaterial goods, cultural traditions of a country or territory. In any category the Festival may invite some short films, or feature films directly.
All the promotional material (texts, data and photos) sent by the participant to the "Itinerant Film Festival Tolima Ve Y Se Ve" during the registration period will be freely used in online and physical publications (Festival catalog, festival program, press releases) of press and on the festival website), in order to make the selected works known to the public.
The International Festival of Children and Youth Film CALIBELULA, FICIJCALIBELULA - is created through a group of friends who love cinema, who see the need to generate new exhibition and training spaces, for a very special audience that is children and young people .
The purpose is to train audiences through cinematographic audiovisual material made by and for children, youth and adults that promotes conflict resolution and peaceful coexistence through the construction of values and principles.
Generate new exhibition alternatives that consolidate processes of formation and creation expressed in the production and audiovisual realization, with understanding and critical sensitivity, trying with this to involve from an early age this target population through the cinema as an artistic expression.
This Festival is a meeting place for the filmmakers, their works and the children's audience as well as a point of formation for young audiences, teachers and professionals of the area, making the Festival a promoter of reflection on the audiovisual media and the role they play with our children.
Brought to you by MANHATTAN SHORT (The world's first and only Global film Festival), a 10-day festival where 8 unique short films will be chosen and screened virtually from Feb 14 - Feb 25, at ManhattanShortOnline.com.
With so many marvelous short films being produced each year, the quest for the perfect vehicle in which to launch it...is never-ending. With a legacy of 24 years; growing from the side of a truck to now screening annually in 500+ cinemas across 6 continents, MANHATTAN SHORT is the perfect organization for these filmmakers.
Now your great ideas have the right launching pad to catapult your work into the stratosphere! So, join with us and create magic!
The Event will be marketed through the MANHATTAN SHORT Channels, and each selected filmmaker will receive $350.00.
Film Junction Film Festival is on a lookout for emerging and diverse talent with a creative eye and a powerful story. We are focused at promoting new creatives, especially film students and entrants in the industry. We have opened submissions for short films and welcome entries from around the globe and all genres.
All films will be judged by our panel of curators. Each curator will rate the film on a pre-discussed criteria. Every film will be seen by at least 3 curators and total results will be tallied. Highest ranking films will be selected and showcased at our festival. Further, certain films will also get a chance to be featured on our upcoming streaming platform.
All selected films will receive laurels and certificates. Films ranked the highest in each category will be awarded.
Main Deadline : 14th May, 2022
Fantasy Filmfest is one of the largest film-events in Germany swell as a renowned platform for genre titles and very much supported by the local film industry. Fantasy Filmfest is based on a traveling concept touring 7 major German cities September each year.
Our program’s focus is on a hand-picked and high quality selection of about 40 features and 10 short films. The continuously increasing number of visitors confirms the festival’s reputation as one of the biggest genre events worldwide.
Fantasy Filmfest is well-respected among distributors for being a link between them and producers as well as sales companies. German buyers and distribution companies consider the festival an extraordinary market and a promotional opportunity, often attending each festival city to get an up close impression of the audience’s reaction. It is therefore considered an important nationwide event and a testing ground for audience reception. It is not uncommon for films to get picked up by German distributors after inclusion in the festival’s program.
For more information, please click here or visit our homepage: www.fantasyfilmfest.com
EDITA is a festival of short films for social transformation that aims, through audiovisual creation, to increase critical capacity, involve citizens in the promotion of rights and make viewers feel called and challenged to action for social change.
With this event, ASAD wants to get to know and disseminate new social imaginaries, look from other perspectives and approach non-hegemonic proposals that are committed to gender equality, cultural diversity and climate action.
This event is committed to cultural promotion and the diversity of artistic expressions while raising awareness and mobilisation on social issues and the 2030 Agenda in the communities. It is constituted as an itinerant edition seeking social participation in rural areas.
The contest “EDITA 2024” is included in the proyect #RuralizArte por los ODS: Fortaleciendo el compromiso del mundo rural con la Agenda 2023 a través de procesos culturales participativos of Asociación Solidaria Andaluza de Desarrollo (ASAD) funded by la Diputación de Granada
We seek to democratize cinematic creation. You just have to have a smartphone, want to learn, create and share your stories.
We invite you to be part of the first version of CineSmart - Film Festival with Cell Phones that will be held from June 06 to 09, 2022 in Arequipa, Peru.
Created and presented by Anaqueronte Cultural Association.
The Secretary of Culture and Education of the Municipality of Rosario, through Punto Audiovisual, announces the call to participate in the 29th edition of the Rosario Latin American Film Festival, which will take place from October 2 to 6, 2024, in the city of Rosario, Argentina.
The Festival has four (4) competitive categories:
Latin American Feature Film Competition
Santa Fe Feature Film Competition
Latin American Short Film Competition
Rosarinos Short Film Competition
Several cities around the world were redesigned at the beginning of the last century to host the automobile revolution. Many streets were reinvented to make room for motor vehicles, and the space for pedestrians in public space was rethought. As cars took over the city, the Lumière brothers experimented with the first film cameras and left us the first documentary on cycling races, depicting the Lyon – Geneva race of 1896.
The arrival of motor vehicles meant the reduction of distances, allowed the relocation of industries to the urban periphery and once again reorganized the urban map. Distances increased considerably and workers, attracted by better opportunities, populated popular neighborhoods outside the urban center. Public transport grew at this time in response to the need to move workers; however, the bicycle continued to be the queen of mobility, especially between wars. Losing a bicycle was a great drama, as we can see in Vittorio de Sica’s premiere, “Ladri di biciclette” (1948).
The periphery, the banlieue, the suburbs… are today often heirs of a manufacturing urban past, full of illusions and dreams of innovation. They are home to many migratory processes and the birthplace of new forms of urban culture. However, they are often poorly connected to the urban centre, making them separate islands from the city. Islands full of young creators who see audiovisuals as an excellent way to communicate, a medium for self-expression, and a great opportunity to overcome physical boundaries. The bicycle shortens distances and makes us physically experience the city with each pedal stroke. It is a tool to recover the city, think about the urban, and redesign the territory.
If the motor vehicle redesigned the 20th-century city, the bicycle redesigns the 21st-century city. Many cities have started to include or extend their network of bike paths, offer subsidies for the purchase of personal or cargo bikes, and more and more groups of amateur cyclists are emerging, thus creating more communities of interest. The bicycle plays an important role in active mobility, being an environmentally friendly means of transport and a way to maintain a healthy lifestyle. Still, as Barden would portray in 1955, relationships on the road aren’t always happy.
Cinema has portrayed these problems and many others related to mobility; stands out as an almost universal way of initiating dialogue about the urban, the territory, mobility and the way we live the city.
We invite the presentation of films that reflect on the following themes, or others in which the bicycle plays an important role in urban life in society:
– Shared bicycle practices
– Discover the city by bike
– The bicycle as a tool for working and experiencing the city
– Cycling communities
– Youth, territory and freedom on wheels
– Social justice, bicycles and the right to the city
– Environment and bicycles
– Daily bike commuting and community identities
– Minorities and bicycle
– Periphery and cycling
– Bike & sports
