La Asociación 400 Colpi es una organización sin fines de lucro creada con el objetivo de promover películas que, gracias a su lenguaje, estilo, historia y temas, estén destinadas a un público joven y adulto.
vvfilmf es sinónimo de calidad cinematográfica y representa una ventana al mundo juvenil. No es solo un festival de cine. Es una experiencia. Es un momento cultural importante para los jóvenes que une y cultiva.
A lo largo de los años, vvfilmf ha creado eventos que descubren espacios para jóvenes, talleres para el estudio de nuevas formas de expresión visual. #vvfilmf se presenta como una iniciativa dirigida a todo el país e internacionalmente, con la intención de satisfacer las expectativas tanto de la población joven como de los televidentes adultos.
El objetivo es acercar al público en general a las formas cinematográficas de calidad. A pesar de que la programación del festival tiene un público preferencial formado por niños, jóvenes en edad escolar y estudiantes universitarios, abre sus puertas con entusiasmo a los adultos y a todos aquellos interesados en el arte cinematográfico, fascinados por la cultura artística y visual, apasionados por la educación, la pedagogía, la diversión educativa y el simple entretenimiento.
El festival representa una excelente oportunidad para mostrar nuevos caminos educativos, ofrecer un programa de actividades culturales que se renueva constantemente y para proponer, a través del medio cinematográfico, habilidades respetuosas y reflexiones fructíferas abiertas a todos los miembros de la escuela.
vvfilmf cuenta con el alto patrocinio del Parlamento Europeo, el patrocinio de la Presidencia italiana del Consejo, el Ministerio de Cultura, Trabajo y Políticas Sociales, Turismo y casi todas las regiones, provincias y municipios italianos.
Entre las colaboraciones plurianuales desarrolladas por #VVFILMF se encuentran las de RAI Cinema, la Fundación para el Entretenimiento y Lancia Europa, así como con RAI Radio 2 y RAI Educational.
Gracias a la alta calidad de la selección de películas en competición y a la profesionalidad demostrada a lo largo de los años, vvfilmf ha sido elegida por el presidente de la Fundación Bienal, Paolo Baratta, y el director del Festival Internacional de Cine de Venecia, para seleccionar a un grupo de jóvenes miembros del jurado y acompañarlos en el mundo del cine internacional durante el Festival Internacional de Cine de Venecia.
XXXVII Festival de Cine de L'Alfàs del Pi.
Only for Iberoamerican Filmmakers // Solo para cineastas Iberoamericanos.
La edición 12 del FICS tendrá lugar en Bucaramanga – Santander del 27 de septiembre al 01 de octubre 2022.
La convocatoria en todas las categorías oficiales competitivas, estará abierta desde el 24 de junio hasta el 19 de agosto de
2022. Para esta edición, el Festival contará con premios en efectivo, de reconocimiento apoyo al desarrollo audiovisual.
La Corporación Educativa Social y de Comunicaciones PRENSA LIBRE, cuya trayectoria de más de veinte años, en el liderazgo del
desarrollo de los medios de comunicación en Santander, respalda y califica la idoneidad del FICS.
El FICS esta integrado por la presidencia del Director de cine Sergio Cabrera y está encabezado por su director, Oscar Fonseca, en
acompañamiento de socios administrativos.
Tiene como objetivo principal trabajar por la formación de un público crítico y por la consolidación de espacios de discusión y apreciación alrededor de una real cultura de cine en la región y en el país.
El departamento de Santander como sede del FICS, es entre otras el departamento con el mayor crecimiento económico promedio
anual y se potencia como uno de los destinos turísticos más importantes, un epicentro cultural de gente emprendedora, que
abre sus puertas a nuevos mercados.
Las secciones competitivas del FICS son ventanas al desarrollo de la cultura y de la industria cinematografica, con nuevas miradas hacia iberoamerica, manteniendo su decidido compromiso al cine nacional, apoyando el cine hecho en colombia y iberoamerica.
Festival is an international unique project.
These days Khanty-Mansiysk becomes a TV and environmental capital of Russia, where you can see the most actual foreign and native ecological documentary.
Nowadays mass media devote special attention to environmental issues. Every year state of our planet is getting worse. Participants of the festival are calling to rescue the world. They are real professionals that live TV and films.
Their works are worth of recognition. The main award - the Golden Loon - gives to participants an opportunity to create new films that could affect people' world view. Today the importance to respect nature can be reveal through the TV screen. The main thing is to do it properly. And International Ecological TV Festival "To Save and Preserve teaches and promote this thing.
La misión del festival es difundir el conocimiento del arte cinematográfico, especialmente en forma de cortometrajes, con el fin de mostrar al público todos los diferentes aspectos del cine internacional contemporáneo.
El Festival Internacional de Cine de Huesca cuenta con el respaldo de la Academia de Hollywood, que lo acredita como preselector para los Oscar en la categoría de “Mejor Cortometraje de Ficción”, también la Academia de las Artes y las Ciencias Cinematográficas de España lo reconoce para los Premios Goya.
http://www.oscars.org/sites/default/files/88aa_shorts_festival_list.pdf
El Revolution Me Film Festival te trae una nueva generación de cineastas. Es importante que cada artista de cada cultura defienda algo a su manera única, para crear historias que puedan cambiar el mundo.
El mundo del cine y la televisión está cambiando constantemente y seguirá creciendo. Pero, ¿quién lidera este nuevo cambio? Los cineastas, guionistas, actores, productores y directores tienen voz y es importante influir en nuestras comunidades con nuestras historias.
El Revolution Me Film Festival quiere que los nuevos cineastas emergentes se unan y cambien el mundo. Necesitamos más diversidad, necesitamos más voces, necesitamos más mujeres detrás de la cámara y sentadas en la silla del director. ¡Este festival de cine está abierto a TODOS!
Bucharest International Film Festival is a competitive festival, dedicated primarily to international feature-length films. The festival aims to promote copyright movies and low budget films.
The end of ideologies has left two words, social and capital, as a pair of twin archetypes, social/kapital, which is strangely guiding our time now. That strangeness (in fact is a mere fairness because of accumulation of those two words’ ideological histories) is located on the interpretation position of both which inevitably are inseparable anymore since have turned into mutational forms of knowledge of how we appropriate all activities and cultural production in that context. This mutated knowledge is the meaning of both words in its similar proportion namely, social / capital.
The context plays its role in the transitional period now, which is on the pragmatic pressures rather than symbolic desires. Only seems both words repel each other although they actually equally inherent in mutual dependence and to their implications on our reality these days.
As a manifest of the archetypal fall, both concepts are merely placed into grand discourse throughout the centuries of cultural production on the top of ivory tower, a place where comprehensions of cultural production is likely to be seen and interpreted centrally–monoconsentric—through intricacy and sophistication of powers (political) and technologies (aesthetic). In other words, the language that articulates practices to imagine social and capital at that time and became our legacy of thinking, only allowing a value obtained from contemplation, while a variety of performativity which is celebrated in it sublimated as myths about World View. However, as the withdrawal of modernism, a shift in the understanding and meaning occurs when the concepts of geography and anthropology transformed most phenomenally by massive presence of new life habituation through the media that we are using now. social/kapital reduces those myths and coexist or along together with our performativity celebrations today.
Reduction of those myths seems in this circumstance: A productional milieu from vertical experience symbolically into horizontal experience pragmatically. In other words, the quest for suprasensory concept shifted to the quest for visible interpretation alias everyday.
A new literacy was stretched in front of the most present opportunities of cultural productions. Thus, the end of ideologies, which can be read as globalism nowadays has directed the production structure into contemporary guilds through the most advanced concept of the meaning existence of social and capital. This latter reality results in social reproduction produced by capital markets certainly everywhere either in the economic context or anthropological. Avoiding the strongest possibility of sloganistic assumptions to emerge about the revolutions of ideologies when writing this term, SOCIAL/CAPITAL are arranged in inductive letters, social/kapital is about to put perspective on peripheral domains.
Practices imagine anthropocentric into the concepts of citizenship or citizens as units of community—either as a representation of what would be ideal, either as a sheer performativity celebration, now it is common that the behaviors in a new world (global) when socialism and capitalism become mere of ‘world view’ concepts from the past and no longer sturdy as the two dominant poles which were constructed and applied throughout history by various powers to codify its inhabitants.
Idea and concept about social/kapital citizens have been merging various cultural activities of their existence in a new world (global) without—or only vaguely— memories of the state except local identity as a nation and their differential statuses. Individualism in the body of citizens is imagined almost as closely as shadow of something collective (collectivity). Is there a so-called global citizen complete with attributes and identity really exist apart from geographical and societal changes in which the capital motive is its creator?
Film is an international medium that has its roots in the American inventors and entrepreneurs. This spirit is felt in every word of a script, every frame, every cell and every pixel of film produced around the world.
The American Film Award is a recognition of what it means to have that founding motivating force. It is much more than a trophy, it is a message that the spirit of film is alive.
The American Film Award is a mark of excellence in Film Craft.
Detroit’s Trinity International Film Festival. The festival takes place August 20-23, 2020 in beautiful Downtown Detroit at The Marlene Boll Theater, 1401 Broadway, Detroit, Michigan and The Carr Center Gallery. The 4-day event themed “FILM YOUR FUTURE” features an array of independent films, screenplays, workshops, The Future panel discussion and filmmakers from around the world. We are also hosting a Best screenplay competition, 2nd Annual Uncle Nearest Premium Whiskey 100 Proof! Red Carpet Award ceremony. We expect an audience of over 4500 people from diverse ethnic and cultural backgrounds to attend. This event will give your company a distinct marketing opportunity with this population in Detroit.
The TI Film Festival has hosted industry professionals locally and nationally to share their knowledge and expertise in various workshops and industry discussions. Special guests have included famed Actress and Producer, Tangi Miller, Syndicated Radio Host and Film Producer, Russ Parr, Former BET Executive Producer, Ralph Scott, currently with the Aspire Network (Owned by Magic Johnson), film segment producer/head of production for more than 100 episodes of SNL, Tanya Ryno and Writer, Director, Qasim Basir, “Destined,” and Actress/Singer Deborah Joy Winans of the acclaimed TV series “Greenleaf,” which airs on Oprah Winfrey’s OWN network.
The highlight of this event over the years has been all of the innovative work we've showcased by indie filmmakers and our audience that supports Detroit's TI Film Festival.
2020 Festival Schedule (Screening Schedule Coming Soon)
El Festival Internacional de Cine Afro "Ananse” tiene como objetivo visibilizar los audiovisuales que aborden las manifestaciones culturales, políticas y sociales de la población afrodescendiente. Sirviendo como parte de un circuito de circulación alternativa que posibilita darse a conocer a nuevos realizadores que aborden a la población afrodescendiente de todo el mundo
“Ananse” es el primer festival que convoca a los realizadores del territorio nacional en torno a la posibilidad de generar espacios para hacer visibles las producciones que representen la visión de las comunidades negras.
El Festival Internacional de Animación de Londres muestra con orgullo todo el espectro de la animación creativa, mostrando que la animación es para todos.
Fundada en 2003, LIAF pretende disipar la idea errónea de que la animación es sólo dibujos animados para niños proyectando la gama más amplia posible de películas inteligentes, entretenidas y provocadoras que se ofrecen en todo el mundo, así como retrospectivas y sesiones especializadas de países y animadores que normalmente no atraen tal atención.
Nuestro Festival anual de 10 días incluye estrenos de gala, retrospectivas, preguntas y respuestas con cineastas, talleres, votación del público y proyección de lo Mejor del Festival.
The Roswell Film Festival honors International Feature and Short Films of all genres. Special Sections include: General Entry, Sci-Fi/Fantasy, Independent, Documentary and New Mexico based productions.
Taking place May 19-21, 2016 the Annual Roswell Film Festival will host films, special events, panel discussions and you in the Alien Capitol of the World.
Finished films in the categories of Feature Films (running time over 60 minutes) and Short Films (running time under 60 minutes) may enter into the festival.
Entry Fee of $35. The fee for the Festival is for already completed films.
Show us your best moments from this season. Tell a story. Get rowdy. Create. Inspire. Capture that perfect second/day/weekend and share it here.
Our mission:
To recognise and honour experimental film
To educate the public in experimental film
To build a networking platform for experimental filmmakers
We support: the unrecognised, the progressive, the visionary. By submitting your film you: endorse our mission, embrace our philosophy, join our community, declare rightful ownership of your work, permit screenings, and the use of clips and images for promotion.
London Experimental Film Anti-Festival
Fluid and evolving
Promoting experimental film
Exhibits in a variety of alternative spaces
No programming
No competition or prizes
Random film selection
Free to watch
Unorthodox marketing
Any kind of video or movie produced by 2014, in any language (we need Italian subtitles). The final term for inscription is february 19th 2017. Info www.videomakerfilmfestival.com
CINESONIKA is the premiere international exhibition for works which make full artistic use of sound's contribution to the moving image, showcasing fascinating soundtracks, idiosyncratic sound design, eclectic scoring and innovative approaches to the sound-image relationship.
Since it's founding in 2010, the CINESONIKA website has averaged ~5000 unique visitors annually, a much larger audience than most boutique film festivals gain in actual screening attendees.
To take advantage of this established global exposure, CINESONIKA 6 will also have an online festival in the Summer of 2017, running in parallel to the Vancouver VFX Festival (www.vvfx.ca). Live screenings of both festivals will take place in downtown Vancouver, British Columbia.
Cinesonika is also partnering with the NW Film Center in Portland, OR for screenings of select films as part of our touring anthology.
We are open to works in any format, including narrative, documentary, animation, experimental, and uncategorizable styles. Videos will be reviewed on a rolling basis until the deadline, so earlier submissions will result in earlier notifications.
We accept in all genres (e.g. animation, narrative, documentary, performance, experimental, shorts, etc.)
HIGHLAND PARK INDEPENDENT FILM FESTIVAL (HPIFF) fosters emerging and established filmmakers by providing forums for screening projects, networking with industry professionals and mentoring student filmmakers in Northeast Los Angeles. All films will screen at the historic Highland Theatre on a DCP system
